September 2, 2015 -- Macca Report News
FOR ALL MACCA FANS!!!
See what happens after a huge
McCartney fan has their wisdom
A Jordan, an avid Paul McCartney fan, had her wisdom teeth extracted and to ease the pain of that experience she kept Macca close... She also had some powerful pain meds.
Watch this video all the way through and you will LYAO!!! Guaranteed!!!
September 2, 2015 -- Macca Report News EXCLUSIVE!!!
By Meredith Evonne, Macca Reporter
Paul McCartney Vinyl Collectibles - What Are They Worth?
Paul McCartney's 45 rpm records as a solo artist, are collectible items but not always highly profitable. All records have to be well cared for. It's not a good idea to regularly play an import copy of "Mull of Kintyre" (1977) on a turntable and then attempt to sell it with visions of dollar signs. Potential buyers will not pay top dollar for a scratched, chipped and overly played 45 rpm with a worse-for-wear jacket cover. The only way a single in poor condition will be a guaranteed seller, is if it is rare. Rare can be a deceptive word and if your record is described as average, it is less than pristine quality and not as valuable.
Many of McCartney's
back catalog singles were mass produced for the record buying
public and these singles are common place to find. The better
the condition of the single, the more value it will have. This
doesn't mean that your collection of McCartney singles that are
not Mint quality, should be thrown away. It simply means you need
to recognize what has value and what doesn't. Some simple research
can give you an idea of what a particular single can sell for
It's also a myth that a high-valued single will easily fetch an asking price. A novice might be willing to overspend on a single, but often the seller wants top dollar for profit. Spending high amounts of cash should only be considered for a completist, not the average Joe.
A scratched and beat up import copy of "Mull of Kintyre", for example, will not sell as well as one in better condition. Collectors who understand this will offer you a low end price of $5 to $8 depending on its condition. If it is considered Good to Poor quality, it would not fetch as much money as, Very Good, Near Mint or Mint, which can be sold at reasonably higher prices. Domestic vinyl is usually the easiest to find, so if it's damaged in anyway you can expect it to sell between $.50 and $3.00.
The condition of record jackets or sleeves can add or diminish value to a potential sale. They should be free of stale smells like mildew or cigarette smoke, discoloration from foods, finger prints or sunlight, and major damages like rips, creases and water damage. If the jacket has stains from the shape of the record pressing through its paper, known as ringwear, it is sure to be passed up for a copy with a cleaner cover.
As long as the vinyl is in decent condition with all of the original components (correct sleeves and inserts), it might be able valuable to sell. It's more lucrative to sell several decent quality 7" records all at once. Looking for the right buyers is as easy as looking at newspaper or Internet ads for people who buy collections.
Paul McCartney solo vinyl is a bit interesting because, McCartney couldn't settle on a name to be credited as. In the beginning of his solo career, 1970 to 1975 his album credits were, McCartney, Paul and Linda McCartney, Wings, and Paul McCartney and Wings. From 1975 to the present day, he used Wings or Paul McCartney with several exceptions (i.e. Thrillington, Suzy and The Red Stripes, The Fireman, Twin Freaks etc.). It is also worth noting the different import versions of his singles on various record company labels and bootleg market labels.
45's released in the last twenty-five years have some market value
due to limited runs and unique printings. For example, picture
discs (artwork that takes up the entire vinyl) from "Flaming
Pie"(1997) are collectibles because of the limited release
of that format. They originally sold for around $8 and have doubled
in value to $10-$15. Comparatively, finding the misprint title
of "No More Lonely Nights"(1984) with "Lonely"
spelled as "Lonley" is a collectible though many 1980's
45's have less interest for buyers.
Buyers' interest can change and is key to understanding what 45 releases in your collection are worth selling. If you have doubts based on the condition and type of release, it's better to research the current selling trends for that particular release. Finding out what "limited edition" and other printing claims on vinyl actually equate to profit is well worth the effort.
WEBMASTER'S NOTE: Meredith Evonne's collector blog will be a regular feature of The Macca Report. If you have questions about your collection send an email to The Macca Report.
September 2, 2015 -- PM.com
For Whom The Bell Tells 2015 touring - PART THREE
And so, for the next collection of shows we come up to date with our visit to mainland Europe. We take in tulips, on-stage proposals, sheep christenings and a rare festival appearance for Paul.
Meanwhile before we get back on the road, back in the UK, Paul graced the cover of men's lifestyle magazine Esquire for their special music issue.
MARSEILLE, FRANCE (June 5, 2015)
It is a beautiful, hot day in the South of France and as I do my usual routine of leaving the hotel early to find coffee and the local newsagent, I'm delighted to see Paul looking back at me from the cover of local paper La Provence with details about tonight's show.
The local coffee shop is playing McCartney II, perhaps in hope of getting 'Temporary Secretary' in tonight's show (they won't be disappointed, by the way).
The Nouveau Stade Velodrome is colossal and tonight Paul christens the stadium with the first concert since it was revamped and inaugurated just last year. In soundcheck, Paul rocks 'Good Day Sunshine' - entirely fitting for such glorious weather, much to the delight of the soundcheck party (although to be fair they are delighted with all Paul's choices!)
Post-soundcheck, Paul speaks to France2 TV news about bringing the tour back to France for their big evening news show, completing the interview in the field in front of the stage. The second he safely returns to the backstage area, the security staff open the doors and the crowds come running in, racing to get the best possible spot. I'm almost flattened by a stampede of fans rushing towards me as I try to flee to our space behind the stage!
At 9:30pm Paul takes to the stage - I'll let the reviews do the rest of the talking:
"40,000 fans fell for his charm. Cultural icon, legend, the myth... he lived up to all these descriptions. On Olympic form he took to the stage at 21:30 and made the dreams of a packed stadium come true.
"Looking elegant and slim he addressed the crowd in French asking the audience if they were here to party with him.
"He carried the show for three hours displaying his skills on various instruments. He made his mythical Hofner bass roar in the rocking moments and caressed his acoustic guitar in the tender moments."
"40,000 fans in 'Paul' position" (Nice Matin):
"The left-handed Beatle got straight to the point for his only French concert ahead of playing in Paris next week.
"Arriving on stage at 21:30 with his mythical Hofner bass he put 40,000 people under a magical spell. His variety of songs meant that time had no meaning as the decades dropped away. The melodies were our guide through this special journey.
"At his side throughout the night were his long-term accomplices Paul 'Wix' Wickens, Abe Laboriel Junior, Rusty Anderson and Brian Ray.
He punctuated the set with French phrases such as 'Bonsoir Marseille sous le soleil' and 'Allez l'OM'."
AMSTERDAM, NETHERLANDS (June 7/8, 2015)
My first email of the morning on show day comes in from Paul's digital manager Steve, informing me Paul is already trending on Twitter in the Netherlands. Pretty cool, because Paul hasn't even touched down in the country at this point! I pop out to grab a coffee on the streets of Amsterdam and am greeted by an array of Macca posters, as well as fans dotted all over the place. The non-virtual world is echoing Steve's digital stats rather nicely!
To mark Paul's trip to Amsterdam and to honour his "positive contribution to the Netherlands and the world", the flower growers association Remarkable Tulips is launching an official Paul McCartney tulip - a completely new form of the flower. It is red - a reference to the colour of Liverpool FC and white, which is said to symbolise "infinite possibilities" (Paul also points out that it stands for peace). He helps to christen the new breed just minutes before taking to the stage at the Ziggo Dome on the first of two nights in Amsterdam. Pouring champagne over the new flower, he declares: "Well, this doesn't happen every day."
As Paul leaves the little ceremony to walk to the stage, he asks that all the crew get a tulip each. What a nice touch.
As for the shows? Well, they are great. Before Paul plays 'Here Today', the audience break into a spontaneous sing-along of 'Give Peace A Chance' and Paul happily joins in. Paul also gets two couples on stage during the encore, creating some memories that will last a lifetime for those fans - even more so for the second couple, as Paul invited the young man to propose to his girlfriend. He did to a huge audience response, and his girlfriend accepted - imagine the story they will tell to their children!
McCartney was great for a hundred reasons (NRC Handelsblad):
"Sir Paul is on better form than ever, performing a concert that spanned his complete solo career, as well as that of The Beatles and Wings. After a brilliant show that lasted almost more than three hours at the Ziggo Dome, it was obvious that not only had McCartney enjoyed himself, but also he had given his audience such a beautiful experience.
"He switched with amazing ease between the hi-tech music of his recent single 'Hope For The Future' and a sober and acoustic 'Blackbird'. In a touching way, he honoured John Lennon with 'Here Today', an imaginary conversation with his old friend and sparring partner.
"There were a hundred reasons to consider this a memorable concert. The barrelhouse piano of 'Lady Madonna', the irresistible country shuffle of 'I've Just Seen A Face' and the way McCartney reacted to the audience when they spontaneously started singing 'Give Peace A Chance'. 'Let It Be' and 'Hey Jude' became piano hymns of community singing and shared memories. It never got boring; during 'Live And Let Die', fireworks exploded like never before at an indoor concert.
"During an elaborate encore, Paul McCartney followed the sweet 'Yesterday' with a heavy version of 'Helter Skelter', proving once and for all that he wasn't the geek of The Beatles, but the biggest rocker. Such a fantastic setlist built over fifty years, other artists can only dream!"
PARIS, FRANCE (June 11, 2015)
"Paul McCartney electrified the Stade de France. He was irresistible as he took us through his treasures" (Le Parisien)
"An amazing show! Legendary songs, high emotions and an over excited audience were proof McCartney was on his best form ever" (L'Express)
We're back to France and like our recent visit to Marseille, it's a very hot day. As we enter the stadium in the morning memories come flooding back of Paul's last concert at the enormous Stade de France in 2004.
There are lots of French VIPs here hoping to say hi to Paul, including one of the electronic duo Daft Punk. He was in disguise tonight which involved NOT wearing his robot helmet! Hollywood actress Natalie Portman the star of Paul's 'My Valentine' and 'Dance Tonight' - is in town too and of course she pops along to the show.
ROSKILDE FESTIVAL, DENMARK (July 4, 2015)
Roskilde is the largest festival in Northern Europe. It launched in 1971 (the year Paul released RAM) and attracts 130,000 people each year, and that figure includes the line-up of thousands of artists. It will be Paul's third European festival appearance to date (the others were Glastonbury in 2004 and Isle of Wight in 2010). In the days leading up to the show Paul gave an exclusive Danish interview to website SoundVenue, explaining: "Everyone speaks very nicely about Roskilde as a nice place with a great atmosphere, so I'm really looking forward to it."
Today, Denmark is roasting in a heatwave and the temperature seems to be magnified on the exposed festival site. Paul arrives on site shortly after 7pm, three hours before he is due to take to the stage, and to prepare for the show, he takes a Danish translation session so that he can speak to the crowd in their own language. After being primed with his phrases he has a birthday surprise for tour photographer MJ Kim. MJ is summoned to meet the boss and Paul has gathered the crew together for a "Happy Birthday" sing-song and a cake presentation.
This being a festival, there isn't the opportunity for the normal pre-show soundcheck, so tonight's warm up is a couple of acoustic numbers in the backstage area. Festival staff gather to listen excitedly on the other side of the fence from Paul's backstage compound to catch versions of 'Got To Get You Into My Life' and 'Good Day Sunshine'. At 10pm, Paul hits the Orange Stage and is greeted with a phenomenal reception. You can feel the energy coming from the crowd.
"McCartney gave Roskilde a gift his music
"The classics were lining up when Paul McCartney gave us a musical history lesson on the Orange Stage on Saturday eveningand it was the best lesson ever.
"The concert, that lasted nearly three hours, was a fantastic musical experience for all.
"McCartney and his four fellow musicians played brilliantly. As he constantly shifted around between his iconic Höfner bass, electric and acoustic guitars and keys, there could be no doubt about his great musical talent and his legendary status."
"McCartney gave a historic end to a great concert 'The magical mystery tour is waiting to take you away / Waiting to take you away'. That is what one hopes for when Paul McCartney gives a concert and that is what happens. He takes us to a magical place where we drown ourselves in excitement.
"I do not think in the history of Roskilde I've seen so many good songs together performed in one set. It was overwhelming to stand in the middle of the audience and be part of such a communal moment.
"Paul McCartney with his insanely tight band gave a historic end to a great concert and festival."
OSLO, NORWAY (July 7, 2015)
Paul is back in Oslo for the first time in 11 years, landing just after 3pm and even during his short drive to the venue he uses the time productively with a call to Norwegian radio station P4 en route, with a quick chat about being back in the city, among other things. I'm guessing quite a few readers here may not have access to P4 so here is a taste:
Paul: "I have a kind of special relationship with Norwegian people, because you send a lot of people to my school in Liverpool (LIPA). So, I meet quite a lot of Norwegian kids in the school, because some of them I do classes with. Right since the beginning of the Liverpool Institute of Performing Arts, LIPA, there's always been some really good Norwegian students."
Presenter: "You're on tour now for, like, 18 months in a row with a couple of days off - how do you prepare for a show like tonight when you have done the same show for so many months in a row?"
Paul: "Well, the good thing about it is that because of my personal situation, I have my youngest kid, my daughter, for half the time. So when I'm with her, I don't do concerts; when I'm not with her, like today, I do concerts. It means that you don't ever get fed up of doing it, because you have a week when you do them, and then you have a week when you don't. And at first I thought that was going to be, not a good idea, but it's turned out to be a good idea really because when you are going to do a concert it means you feel hungry to get back on the stage and it keeps you very interested. So me and the band are pleased to be here in Norway and really interested in plugging our guitars in, getting the sound up and singing some songs. So I think that keeps it very fresh actually."
Presenter: "So you like to go back home and spend some time with your family, then go back out on tour and re-charge your batteries?"
Paul: "Yeah, that's what happens, yeah! And once you've been at home for a while you start to think, 'Oh boy, it would be great to get out and do a gig', so when you come to do the gig you're kind of hungry. So it works out nicely, and means we are, you know? If you're on the road for years and years, you don't even know where you are - you're just like, 'Where are we tonight, I don't know, what's this place called?' But you know, the way we're doing it now, you're very aware where you are, you're very aware how lucky you are to be playing, so we're really enjoying it and I think that's reflected in the reviews and the audiences."
Asked about his collaboration with Kanye West, Paul says:
"Originally I just got a call from my manager and he said Kanye West is interested in collaborating with you'. So I was kind of interested but I thought, I don't know, maybe I should do this, maybe I shouldn't, I don't know, see if I've got time, whatever. So I found out I did have time, and I thought what we'll do is, we'll try working together - if it doesn't work out, we just won't tell anyone, and you won't have lost anything, neither of us will have lost anything.
"So, we got together in Los Angeles, in a hotel room and we just spent a few afternoons kicking ideas around - I gave him some musical ideas, he gave some lyric ideas and we recorded a lot of stuff. He records it all on his iPhone and his engineer had some proper recording stuff, so we just recorded lots of ideas and then I came back to England and thought well, I wonder if anything is going to happen. I didn't really wanna ring him up and say, 'Hey Kanye, did anything happen?!' I thought that's a bit stupid, so I just left it, I'll just say, 'Hey, Happy Christmas! All the best!' Whatever, I'll send a little message. And in the end, he sent me, just before the New Year three tracks - he sent me 'Only One', which was something I'd played piano on, then he sent me 'FourFiveSeconds' with Rihanna, which was a real surprise because I didn't even know he was working with Rihanna, and I love her voice! So yeah, it turned out it was a guitar thing that I had been playing and he liked the groove on it, so he finished it up with Rihanna - so then, you know, will you make the video? Will you go on the Grammys? I was glad I did it in the end, you know, I thoughtit was perfect."
Presenter: "After that meeting, Kanye was telling the press he was star-struck after he met you - do you ever get starstruck by meeting anyone?"
PM: "Yeah, I think so, it's people you admire, there's always a little bit of that meeting them because you never know quite how they are going to turn out and if you know they're talented you've just got to take it easy, kind of thing. When I met Kanye, I mean, I'd listened to a lot of his records and knew a lot of the work he'd done, like My Dark Twisted Fantasy and Black Skinhead. For the first five minutes it's a little bit like that and then you remember you're just human beings and you're just there to do some work together. So that goes, really. But yeah, there are one or two people I get a little bit starstruck with."
With media commitments completed, it is time for the soundcheck. This afternoon, his audience of "soundcheckers" are treated to the likes of 'Honey Don't', 'Drive My Car', 'Junior's Farm' and 'All My Loving'. There is also a ukulele special of 'Leaning On A Lamp-post', a song most associated with George Formby, which The Beatles recorded during their Get Back sessions in 1969 although it was never released. The band also played a version of 'Blue Suede Shoes' with Paul's guitar tremeolo effect making it sound like The Smiths' song 'How Soon Is Now?'.
Soundcheck over, it is time for Paul to have another language class, this time to brush up his Norwegian, and he sends a special birthday message on Twitter to both Ringo Starr and his own late father, which is received very well by the people of the internet and social media channels.
During the show too Paul wishes Ringo and his dad a happy birthday and plays Birthday for them.
Over to the reviews:
Hats off to Sir Paul (Dagbladet)
"The audience gets a concert that has absolutely everything: songs that are the soundtrack to the lives of several generations spanning an unusually long career, a tight and hard-working band, an artist giving so much of himself to make everyone feel at ease - he even speaks a little Norwegian! There's an exciting and affectionate atmosphere all night, almost reverential at times.
"McCartney proves he is a true champion by giving us three hours of music history."
The reports were correct - Paul McCartney is on top form (Dagsavisen)
"Paul McCartney actually lived up to the expectation and to his status as a legend. The Beatle gave a compelling near three-hour performance of classic hits from his entire career including the occasional forgotten gem such as 'Temporary Secretary'.
"In one night the audience of all ages relive many magical memories. Rarely do we see an entire audience sing along with everything. 'Hey Jude' simply should be declared as the world's biggest song."
Stockholm, Sweden (July 9, 2015)
The final European 'Out There' show on Paul's current run is now upon us (it's also the 85th 'Out There' show to date and the 21st of 2015, for all the stat lovers). It's almost four years since Paul last rocked out in Stockholm. He last called in during his 'On The Run' tour when he played 37 songs; tonight he pushing it even further with 40 songs in the setlist. We are at the relatively new Tele2 Arena, which should really be called the Tele2 Stadium. It's BIG. It's a football stadium with a retractable roof and for tonight the roof is shut giving the stadium a more intimate feeling, despite the vast size.
Prior to his arrival for this show, Paul spoke about his memories of the country, recalling: "It was very special when we first arrived in Sweden with The Beatles. We hadn't travelled abroad that much so it was very exciting. When I think of Sweden one particular image always comes to mind; it is seared in my memory. We all have pink shirts on and roses in our hands. It's a cool image. I love Stockholm, and Sweden is a beautiful country".
Shortly before 5pm Paul lands at Bromma airport before making his way to meet us at the arena for soundcheck.
The Swedish press has already provided fairly extensive coverage of Paul's performance at Roskilde and Sweden's biggest paper Aftonbladet notes after this concert:
"Hats off, again. When Paul McCartney's show is moving from the drunken festival crowd at Roskilde to a more sober indoor crowd in Stockholm, it was just as brilliant."
an unusual first for McCartney during the show. As Paul stops
to read the many signs in the audience before performing 'And
I Love Her', one stands out and particularly captures his attention.
There is a massive poster of two sheep with "Paul - can you
name my sheep" written on it! Well Paul a man who,
let's not forget, named one of his albums RAM - was happy to oblige
and after ruminating, he declared from the stage that their names
would be George and Ringo! And with that we round off the run
of European dates good-baa. Erm, I mean goodbye.
August 30, 2015 -- Macca Report News EXCLUSIVE!!!
Paul McCartney backstage at Rick Springfield's concert last night
Rick Springfield was playing
the Delta Classic at Atlanta's Chastain Park last night (August
29th) and Macca was in attendance.
Paul did not join Springfield on stage, but watched from backstage and posed for a photo with Springfield's new bass player Siggy.
This is what Rick Springfield said about the photo:
"Our new bass player Siggy
debuts tonite with us here at Chastain Park in Atlanta. No, not
the guy on the right, it's the guy on the left."
August 29, 2015 -- Variety.com
Bill Clinton, McCartney and Springsteen Attend Bill Murray's 'Rock the Kasbah' Screening
Open Road Films' new comedy "Rock the Kasbah," starring Bill Murray, Kate Hudson and Bruce Willis, debuted at the United Artist Theater in East Hampton, N.Y., on Friday night for a special sneak preview. The screening - presented by the Peggy Siegel Company and hosted by famed singer Jimmy Buffett and his wife Jane - was a crowd pleaser. Guests raved about Murray's funny yet heartfelt performance as a washed-up rock manager.
But it was the post-screening after party at the Blue Parrot Bar & Grill that drew the most buzz. A star-studded guest list that included Paul McCartney, Bruce Springsteen, Jon Bon Jovi, John Mellencamp, former New York City mayor Rudy Giuliani and president Bill Clinton joined the film's cast to celebrate the pic and enjoy a casual nightcap. All eyes were on Clinton. The 42nd president of the United States received the most attention and selfie requests from the partygoers. Even the musicians and actors seemed to be starstruck.
"It's very exciting that the president is here," Murray told Variety at the party. "It's an honor to meet him and get to talk to him."
Murray greeted Clinton with a firm handshake and shared a lighthearted conversation. The two posed for photos and then Willis and his wife Emma introduced themselves to the president.
Clinton made his way to the Blue Parrot's outdoor dinning area where McCartney, Springsteen and Buffett stood in a circle socializing among a crowd of partygoers. Clinton joined in on the conversation with the prolific musicians and briefly chatted. Meanwhile, Mellencamp was in a corner socializing with some friends and Bon Jovi worked the room, conversing with all the guests.
Throughout the star-stuffed evening, Variety caught up with the cast of "Rock the Kasbah." Oscar-winning director Barry Levinson helms the film written by Murray's longtime pal Mitch Glazer. The movie is inspired by true events from an Afghan reality television show competition similar to "American Idol" and based on one woman who had the courage to sing in public despite facing death threats and being ostracized by her family and friends. With a $15 million budget, the film was made in 28 days and shot in Morocco with temperatures over 110 degrees.
"I wrote this story specially for Bill and I've pretty much written for him my whole life," said Glazer, who first wrote "Scrooged" for Murray in 1987. "We are dear friends and I wanted to write something that would show Bill's humor and heart and all the things that he can do. That was the goal. Whether I did that or not is up to other people."
Murray - who declined to talk about his gig in the new "Ghostbusters" reboot by saying, "I'm not supposed to tell anyone about it" - was drawn to "Rock the Kasbah's" storyline.
"I liked that it's not a political or a military story. It's much more of a human story," said Murray. "I was interested in the story from the beginning. We spent years getting it made and I liked the way it turned out. All the actors are so good. I think this is as good as anyone in this film has ever been. Kate Hudson, Bruce and Zooey [Deschanel] are amazing in this movie. Everyone did their very best and it just jumped up the level. Every day we out-shot the script. That's cool."
Willis, who plays an on-edge mercenary, took on the supporting role in order to act with Murray.
"I only worked five days on the film and one of the main reasons I chose the part is to work with Bill Murray," said Willis, dressed down in jeans and Nike sneakers. "I got to bounce off of Billy Murray, which made shooting in the desert a ball. I never really liked deserts, but he made it fun. He makes me laugh and he's a comic genius. He's a funny guy on-and-off the screen. I'd love to work with him again."
"Rock the Kasbah" opens Oct. 23 nationwide.
August 29, 2015 -- PM.com
You Gave Me The Answer Asks...
This past month, PaulMcCartney.com has been fully immersed
in the forthcoming reissues of Tug of War and Pipes of Peace,
two of Paul's classic '80s solo albums and the latest works to
receive the Paul McCartney Archive Collection treatment.
We have been busy digging through the archives and getting the general scoop on some of the artists who collaborated with Paul on the original releases - Stevie Wonder and Michael Jackson being two we were particularly interested in! Our curiosity got the better of us, so we hope you will accept our apologies for hi-jacking this month's 'You Gave Me The Answer' with our own question!
We recently spoke with Paul about the Tug of War album and asked him, "What was it like working with Stevie Wonder?"
"Stevie was great, it was different from working with Michael Jackson. With 'Ebony and Ivory', I'd sort of written it with Stevie in mind and I'd written it on my own in Scotland. Then I thought if I do this with anyone, Stevie would be the perfect person. I'm a big fan of his. So I got in touch and said, 'I'm going to be recording out in Montserrat, are you interested? Would you like to do it?' So he said yes, and came out to Montserrat.
"I must say it was kind of difficult because he was coming, then he wasn't coming I think that's all in the album notes [the Deluxe Edition of Tug of War features an in-depth essay on the recording of the album]. So there was a bit of doubt about whether he was coming and stuff and he did, eventually. It was great fun, we really struck up a great friendship and he suddenly, surprisingly, said he would like to drum! So I said OK, not knowing how good a drummer he was. He's a great drummer! Once I heard him that was it! So he drummed and it was just a really great experience, putting it together with him, taking a verse each and getting inspired by his interpretation and feeding off each other.
"It was great and we ended up having a great time. I got to know him well because we were in a casual situation rather than being backstage at the GRAMMYs or somewhere where there's not much time. Like we were working all day and we did the other track, 'What's That You're Doing?', which was more co-written. It was written during the time we had in Montserrat. He was a very funny guy. I heard stories from his childhood and we had a lot of fun together."
Find out more about the Tug of War and Pipes of Peace 2015 reissues by clicking HERE
If you'd like to have your question answered by Paul, click HERE
August 25, 2015 -- PM.com
PAUL McCARTNEY TO GET BACK 'OUT THERE' IN OCTOBER
FIVE NEW NORTH AMERICAN DATES CONFIRMED
October 13: Columbus, Ohio - Nationwide Arena TICKETS
October 15: State College, Pennsylvania - Bryce Jordan Center TICKETS
October 17: Toronto, Canada - Air Canada Centre TICKETS
October 21: Detroit, Michigan - Joe Louis Arena TICKETS
October 22: Buffalo, New York - First Niagara Center TICKETS
Tickets for the U.S. dates
will be on sale Monday, August 31 at 10am EDT
Tickets for Toronto will be on sale Friday, August 28 at 11am EDT
For the U.S. dates, American Express® Card Members can purchase tickets before the general public beginning Thursday August 27 at 10am EDT through Sunday August 30 at 10pm EDT
For Toronto, American Express® Card Members can purchase tickets before the general public beginning Tuesday August 25 at 10am EDT through Thursday August 27 at 10pm EDT
Fresh off an undeniably historic headline performance at this year's Lollapalooza hailed without exception as the biggest and best in the festival's 25 year history, Paul McCartney has confirmed five new North American arena dates on the universally acclaimed 'Out There' tour.
First, Paul will return to Columbus, OH nearly 10 years to the day since his last appearance in the Ohio capital city to headline the Nationwide Arena on October 13. On October 15, Paul will play his first ever show in State College, PA at the Bryce Jordan Center. October 17 will see Paul back at Toronto's Air Canada Centre for the first time since 2010 on the 'Up And Coming' Tour, followed by an October 21 in Detroit, MI - Paul's first appearance at the Joe Louis Arena and his first visit to the Motor City since 2011 on the 'On The Run' Tour. Finally, Paul will make his concert debut in Buffalo, NY on October 22 at the First Niagara Center.
Fans registered with PaulMcCartney.com by 8am (EDT / 1PM BST) on Thursday 27th August will be eligible to purchase pre-sale tickets for Paul's concerts in Columbus, State College, Detroit and Buffalo through the website. By registering fans will also gain accesss to exclusive content including free audio downloads, GIFs, puzzles and be eligible to purchase advance tickets for all future concert dates.
Register with PaulMcCartney.com by clicking HERE!
Fans registered with PaulMcCartney.com as of 8am EDT on Monday 24th August are eligible for pre-sale tickets for Paul's concert in Toronto. To check availability for these tickets, click HERE!
August 25, 2015 -- Macca Report News
More October 'OUT THERE' dates added !!!
August 25, 2015 -- PM.com
Paul on the cover of Uncut Magazine
Paul is featured on the cover
of the new issue of Uncut magazine discussing the forthcoming
reissues of Tug of War and Pipes of Peace. In the
interview with the magazine, Paul candidly discusses writing and
recording both albums.
The October issue of Uncut is on the shelves from today.
August 24, 2015 -- PM.com (updated 1pm)
Paul gets back 'Out There' in Columbus
PAUL McCARTNEY TO GET BACK "OUT THERE" IN OCTOBER
NEW NORTH AMERICAN DATES CONFIRMED
Columbus, Ohio - Nationwide Arena
October 17: Toronto, Canada - Air Canada Centre
Fresh off an undeniably historic headline performance at this year's Lollapalooza hailed without exception as the biggest and best in the festival's 25 year history, Paul McCartney has confirmed another new North American arena date on the universally acclaimed 'Out There' tour.
Paul will return to Columbus, OH nearly 10 years to the day since his last appearance in the Ohio capital city to headline the Nationwide Arena on October 13. October 17 will see Paul back at Toronto's Air Canada Centre for the first time since 2010 on the 'Up And Coming' Tour.
Fans registered with PaulMcCartney.com by 8am (EDT / 1PM BST) on Thursday 27th August will be eligible to purchase pre-sale tickets for Paul's Columbus concert through the website. By registering fans will also gain accesss to exclusive content including free audio downloads, GIFs, puzzles and be eligible to purchase advance tickets for all future concert dates.
Register with PaulMcCartney.com by clicking HERE!
Tickets for the newly announced Columbus date will be on sale Monday, August 31 at 10am EDT
In Columbus, American Express®
Card Members can purchase tickets before the general public beginning
Thursday August 27 at 10am EDT through Sunday August 30 at 10pm
In Toronto, American Express® Card Members can purchase tickets before the general public beginning Tuesday August 25 at 10am EDT through Thursday August 27 at 10pm EDT
- October 13th - Nationwide Arena (to be confirmed) NOW CONFIRMED!
University Park, PA - October 15th - Bryce Jordan Center (confirmed)
Detroit, MI - October 21st - Joe Louis Arena (to be confirmed) NOW CONFIRMED!
Toronto, Canada - October 17 - ACC (confirmed)
Buffalo, NY - October 22 - First Niagara Center (unconfirmed) NOW CONFIRMED!
August 21, 2015 -- PM.com
Paul Gets Back 'Out There' In Toronto
TO GET BACK 'OUT THERE' IN OCTOBER
October 17 at the Air Canada Centre in Toronto
Fresh off an undeniably historic headline performance at this year's Lollapalooza hailed without exception as the biggest and best in the festival's 25 year history, Paul McCartney has confirmed the first new North American arena date on the universally acclaimed 'Out There' tour.
On October 17, Paul will return to Toronto's Air Canada Centre for the first time since 2010 on the 'Up And Coming' tour.
Fans registered with PaulMcCartney.com by 8am (EDT / 1PM BST) on Monday 24th August will be eligible to purchase pre-sale tickets for Paul's Toronto concert through the website. By registering fans will also gain accesss to exclusive content including free audio downloads, GIFs, puzzles and be eligible to purchase advance tickets for all future concert dates.
PaulMcCartney.com by clicking HERE!
WEBMASTER'S NOTE: Tickets for Toronto show at the Air Canada Centre on October 17th will be on general sale Friday, August 28th @ 11am ET. Tickets are available at www.ticketmaster.ca or 1-855-985-5000.
TICKETMASTER US LINK
American Express® Card
Members can purchase tickets before the general public beginning
Tuesday, August 25 at 10am ET through Thursday, August 27 at 10pm.
VIP Package Presale
Start: Mon, 08/24/15 10:00
End: Thu, 08/27/15 10:00 PM EDT
August 3, 2015 -- Macca Report News
Paul and Ringo's statement about Cilla Black's passing
"Such a shock to hear
about Cilla's passing. She was a lovely girl who infected everyone
with her great spirit. From first meeting her as a cloakroom girl
at the Cavern in Liverpool, to seeing her many times since, she
always had a fun loving dignity that made her a great pleasure
to be around. She had a fine distinctive voice and was always
a bit of a laugh. It was a privilege to know and love her."
-- Paul McCartney
"I just heard the news Cilla black has left us. She was a good friend. We will all miss her. Peace to Cilla. Peace and love to the family." R&B xxx
-- Ringo Starr
August 3, 2015 -- PM.com
'Tug of War' and 'Pipes of Peace' will both be reissued on 2nd October.
Pre-order your copy today:
TUG OF WAR:
UK / Rest of the World: http://paulmccartney.lnk.to/TOW
PIPES OF PEACE:
UK / Rest of the World: http://paulmccartney.lnk.to/POP
Paul To Reissue
'Tug of War' and 'Pipes of Peace'
MPL and the Concord Music Group are proud to announce two more landmark installments in the multiple GRAMMY-winning Paul McCartney Archive Collection. On 2nd October, 2015, Paul's early '80s back-to-back classics Tug of War and Pipes of Peace will receive lavish multiple configuration reissue treatment including exclusive 2015 remixes of both the entire Tug of War album and the Pipes of Peace classic collaboration with Michael Jackson 'Say Say Say,' a treasure trove of previously unreleased tracks and never before seen video, and much more.
Check out the Deluxe Editions below:
Released in 1982, Tug of War was Paul's first album following the break-up of Wings and his third solo LP overall. Hailed upon its release as "exquisitely crafted" by The New York Times and a "masterpiece" by Rolling Stone, Tug of War went to #1 in no less than nine countries. Tug of War yielded such classic tracks as Paul's #1 duet with Stevie Wonder 'Ebony and Ivory,' the top 10 single 'Take It Away,' and of course 'Here Today,' the conversation Paul never had with the late John Lennon that remains a staple of Paul's live set to this day. Pipes of Peace, Paul's fourth solo album, followed in 1983 and continued Paul's early '80s run of platinum records. Singles from Pipes of Peace included the title track and of course Paul and Michael Jackson's timeless 'Say Say Say,' a multi-format global chart-topping smash continually cited as a landmark of that or any year--as recently as 2007, Vibe magazine rated 'Say Say Say' as one of the greatest duets of all time.
As with the GRAMMY-winning Band on the Run and Wings Over America Archive editions, Paul personally supervised all aspects of these releases and their various formats, which include:
Tug of War will be issued as a 2-CD Special Edition comprised of the 2015 remix of the entire album, plus a second disc of bonus audio featuring eight previously unreleased demos of both album tracks and outtakes 'Stop, You Don't Know Where She Came From' and 'Something That Didn't Happen,' as well as demo and solo versions of 'Ebony and Ivory' and more. The Tug Of War 3-CD/1-DVD Deluxe Edition adds the original 1982 album mix and a DVD featuring original music videos for the album's singles and the brand new 18-minute documentary 'Fly TIA-Behind The Scenes on Take It Away' featuring previously unseen archival footage. In keeping with the award-winning Paul McCartney Archive Collection standards, the Tug of War Deluxe Edition will include a 112-page essay book and 64-page scrapbook, while the strictly limited run of 1000 Super Deluxe sets will arrive in a limited edition acrylic slipcase with five hand numbered prints of images from the Linda McCartney archive.
The Pipes of Peace 2-CD Special Edition is made up of the original album plus a 9-track bonus disc with such exclusive gems as a 2015 remix of 'Say Say Say' by Spike Stent, unearthed demos of three album tracks and outtakes 'It's Not On' and 'Simple As That,' the previously unreleased 'Christian Bop' and more. The 2-CD/1-DVD Pipes of Peace Deluxe Edition features a bonus video disc comprised of the original promo clips for all three of the album's singles, plus previously unreleased clips from Paul's film archives. The Deluxe configuration will also include a 112-page essay book and 64-page book that takes the reader behind the scenes on the 'Pipes of Peace' title track video shoot.
Both albums and their companion bonus audio discs will also be released as 2-LP 180-gram audiophile vinyl editions complete with gatefold sleeves and download cards. The newly remixed and mastered Tug of War and remastered Pipes of Peace will also receive standard and Hi Res digital releases, as well deluxe digital and Hi Res releases featuring all bonus audio.
Tug of War and Pipes of Peace are the newest installments in the acclaimed and ongoing Paul McCartney Archive Collection. The inaugural release in the series, the Deluxe Edition of Paul McCartney and Wings' 1973 milestone Band on the Run, won the 2010 GRAMMY Award for Best Historical Album, while the Deluxe Edition Box Set of the 1976 classic live collection Wings Over America took the 2013 GRAMMY for Best Boxed or Special Limited Edition Package. Previous releases in this ambitious reissue program encompassing 41 years of timeless material from the most successful songwriter and recording artist of all time include solo works McCartney and McCartney II, Paul and Linda McCartney's RAM, and Wings' Venus and Mars and At The Speed Of Sound.
The warm summer weather has officially arrived here in the UK, which seems to have resulted in our diaries being full (and our wallets empty!).
It's important to take a moment to relax and chill out between the stream of weddings, BBQs and outdoor parties the summer months invariably bring. Many of us like to take our holidays around this time too, but if drinking from coconuts on a far away beach isn't for you, there is another (and cheaper!) way to unwind.
We found Paul to be somewhat of an expert on this topic when we caught up with him during his 'Out There' tour to ask him this month's 'You Gave Me Answer'. The question was sent in by Grace Ann from the US, who asks: "Do you still meditate and do you think it's had a positive effect on your life?"
Paul replied, "Yes, I think it's great! I think it's always very good to get a sort of still moment in your day. Whenever I have a chance in a busy schedule, I'll do it, if I'm not rushing out the door with some crazy stuff to do. But yeah, I always like to take a moment and just meditate. It's a good thing. I do the 'TM' [Transcendental Meditation] and I was lucky because I was taught personally by Maharishi."
PaulMcCartney.com: "When you were out in India with The Beatles?"
Paul: "When we were in India, yes."
PaulMcCartney.com: "Do you still use the same mantra?"
Paul: "Yeah! You only get one. It's good! It's very calming."
August 3, 2015 -- Paul McCartney Twitter
Throwback Thursday Photo
Paul at AIR London during the
recording of 'Pipes of Peace.
August 3, 2015 -- Macca Report News
Keith Richards talks about Paul McCartney in his autobiography
I was packing to go back on the road, to play first the Super Bowl in February and then one of the biggest rock-and-roll concerts ever staged, in Rio, to more than a million people, two weeks later. A busy start to the year. Exactly a year earlier, while I was walking along the beach, climbing rocks, along the shore came Paul McCartney, just before he played the Super Bowl that year. It was certainly the strangest place for us to meet after all the years, but certainly the best, because we both had time to talk, maybe for the first time since those earliest days when they were flogging songs before we were writing them. He just turned up, said he'd found out where I lived from my neighbor Bruce Willis. He said, "Oh, I just came down, I hope it's OK. Sorry I didn't ring." And since I don't answer the phone anyway, it was the only way he could do it. I sensed with Paul that he really was looking for some time off. That beach is long, and of course these things come in hindsight: there was something wrong there already. His breakup with Heather Mills, who was with him on that trip, was not long coming.
Paul started to turn up every
day, when his kid was sleeping. I'd never known Paul that well.
John and I knew each other quite well, and George and Ringo, but
Paul and I had never spent much time together. We were really
pleased to see each other. We fell straight in, talking about
the past, talking about songwriting. We talked about such strangely
simple things as the difference between the Beatles and the Stones
and that the Beatles were a vocal band because they could all
sing the lead vocal, and we were more of a musicians' band - we
only had one front man. He told me that because he was left-handed,
he and John could play the guitars like mirrors opposite each
other, watching each other's hands. So we started playing like
that. We even started composing a song together, a McCartney/Richards
number whose lyrics were pinned on the wall for many weeks. I
dared him to play "Please Please Me" at the Super Bowl,
but he said they needed weeks of warning. I remembered his hilarious
takeoff of Roy Orbison singing it, so we started singing that.
We got into discussions about inflatable dog kennels designed
like the dogs inside them - spotted ones for Dalmatians and so
on. Then we went off on one about a special project we were going
to develop, sun-dried celebrity turds, purified with rainwater
- get celebrities to donate them, coat them with shellac and get
a major artist to decorate them. Elton would do it; he's a great
guy. George Michael, he'll go for it. What about Madonna? So we
just had a good laugh. We had a good time together.
(c) Keith Richards, Life, pages 537-538
August 1, 2015 -- Macca Report News EXCLUSIVE!!!
Paul at Lollapalooza !!! A night of magic and surprises
July 31, 2015 - Lollapalooza
- Grant Park - Chicago, IL
SOUND CHECK - July 30, 2015 (day before Lolla)
1. Honey Hush
2. Honey Don't
4. Blue Suede Shoes (lots of guitar riffs and an extended jam)
5. Sing The Changes
6. Another Girl
7. Letting Go
8. Save Us
9. Miss Ann
10. My Valentine
11. Nineteen Hundred And Eighty-Five (Paul screams at end in full voice!)
12. Every Night
13 .On My Way To Work
15. San Francisco Bay Blues
16. We Can Work It Out
17. Live And Let Die (no fireworks, testing lasers)
18. Blue Moon (Frank Sinatra version) Paul teaching band the chords
SOUND CHECK NOTES
Paul arrived at Chicago's Grant Park at 7:40pm in a black SUV directly from the airport. The band arrived in Chicago on Tuesday and was shuttled to Grant Park in a small bus from their hotel 90 minutes ahead of Paul's arrival. His vocals were flawless. At times the sound volume from the stage was lower or raised during the songs. The sound check lasted an hour and 15 minutes.
CONCERT SETLIST (COMPLETE)
1. Magical Mystery Tour
2. Save Us
3. Got To Get You Into My Life
4. Let Me Roll It/Foxy Lady Coda
5. Paperback Writer
6. My Valentine
7. Nineteen Hundred And Eighty-Five
8. Maybe I'm Amazed
9. I've Just Seen A Face
11. We Can Work It Out
12. And I Love Her
14. Here Today
15. Queenie Eye
16. Lady Madonna
17. Eleanor Rigby
19. Being For The Benefit Of Mr. Kite!
20. Ob-La-Di, Ob-La-Da
21. Band On The Run
22. Back In The U.S.S.R
23. Let It Be
24. Live And Let Die
25. Hey Jude
26. Hi Hi Hi
27. Can't Buy Me Love
28. Get Back (with Britney Howard of Alabama Shakes)
29. Helter Skelter
30. Golden Slumbers/Carry That Weight/The End
A crowd estimated to be over 100,000 filled the area in front of the Samsung Galaxy stage inside Chicago's Grant Park to see Paul McCartney. The show began on schedule at 7:45pm with a shortened version of the the pre-concert video rolling on enormous video screens surrounding the stage. At 8pm Paul appeared on stage to the deafening roar of the crowd.
Also at times the volume of the music would be lower than usual and then it would be boosted up again. Same issue happened at the sound check the day before.
The Lolla crowd was comprised of mostly 20 and 30-somethings. Macca was a must see for them and did not disappoint. He had the crowd in the palm of his hand. Though not familiar with his solo songs, the rowdy audience did enjoy them. The Beatles songs had them singing loudly and Wings songs, "Hi Hi Hi", and "Nineteen Hundred And Eighty-Five" got a very enthusiastic reaction. He responded with "Thank you Lollapaloozans!" Many under 30 concertgoers, wore Beatles and Wings T-shirts.
Paul's voice throughout the concert was stellar. The opener, "Magical Mystery Tour" started out with rough vocals, but by the middle of the song his voice had cleared. During the very emotional "Maybe I'm Amazed" and "Hear Today" Paul struggled to keep his composure and his vocals reflected that pain.
By the end of the concert the Lolla crowd was buzzing about how outstanding Paul's performance was. Several 20-somethings remarked that Paul' blew away most of the artists they had seen at other concerts who were younger than him. They marveled at how well his voice held up throughout the show and how young he looked. Many were talking about how incredible the experience was and that they couldn't believe a 73-year-old man could sing like that! Some were talking about wanting to see Ringo's concerts after seeing Paul's.
After reading the signs, Paul started strumming the acoustic guitar. Then he sang the first verse of "FourFiveSeconds," Rhianna's #1 hit that he co-wrote. The audience knew the song and started singing along. After the refrain he seque nicely into "We Can Work It Out."
Paul told some of his usual
concert stories, but when he did his introduction to "Here
Today," a song about an imaginary conversation with the late
John Lennon, a nearby stage was blasting dance music. It was so
loud that it clearly annoyed Paul. He none-the-less began to strum
the opening chords as the dance music continued to blast. Then
he stopped and said, "Oh, by the way, you'll notice here,
we got like, the disco going on over here. I intended this. What
I'm doing is kinda, it's like a crazy mash-up, this song and whatever
shit they're playing." That brought the house down, roaring
with laughter and clapping in agreement. Paul did a wave in the
direction of the offensive music stage and then started the song
Afterwards, he sat down at the Magic Piano to play "Queenie Eye" and said, "OK, now we got some amplification. We can blast them off the planet!" People giggled and clapped.
"Live And Let Die" had an amazing fireworks show exploding behind the stage. It was timed perfectly during the song, which ended with an explosion of dazzling fireworks cascading upwards like a reversed waterfall.
For "Get Back" Paul
called on stage a "special guest", Britney Howard from
Alabama Shakes, who played right before Paul, on the same stage.
During the song, Britney sang a verse and also sang on the chorus.
She also played some smoking guitar leads.
When the song paused, Paul said, "Hey Britney do you want to get back?" She answered with, "Let's get back on home, Paul." He asked again, "Do you want to get back? She answered, "We're all trying to get home Paul."
"Me too baby!!!" said Paul.
They continue with him singing "Get Back!" and Britney doing the answer backs. When the song ended he asked the crowd, "How 'bout that Britney?" The audience erupted in applause. He added, "She wants to get back (pauses) to Alabama!"
After "Hey Jude"
Paul and the band took their bows, exited the stage and came back
a couple of minutes later waving giant flags. When the crowd saw
Paul waving the US flag they started chanting "USA! USA!
The concert continued with "Hi, Hi, Hi" and ended with the Abbey Road Medley.
Paul said his goodbyes to the Lolla crowd and exited the stage at 10pm. Fireworks began shooting upwards behind the stage for about a minute or so.
August 1, 2015 -- Paul McCartney Twitter (photos MJ Kim)
Paul tweets to Lollapalooza crowd
Thank you Chicago! A night and a skyline like no other.
Hey Lollapalooza you were unbelievable!
August 1, 2015 - Chicago Sun-Times
Lollapalooza Day 1: Paul McCartney closes out the night in grand style
Paul McCartney, the legend, can handle anything, including
the competing beats of electronic dance music.
McCartney, 73, ran onto stage Friday night with the energy of a far younger man as he closed out day one of Lollapalooza. He toyed with the crowd, who knew every word and sang along.
He brought out the nostalgia, playing "Paperback Writer" with a guitar he used to originally record the song. He made jokes about the blaring electronic dance music coming from the closest stage, where McCartney could see a dramatic light show ahead of the city's sweeping moonlit skyline.
"My song will be a mashup of this song, and whatever s*** they're playing over there," he said to laughs and cheers. The sound bleed became a problem for the crowd, but McCartney took it with a grain of salt, even playing "Something" on a delicate and quiet ukulele as dance beats continued from afar.
McCartney brought out Alabama Shake's Brittany Howard for a performance of "Get Back," - as his set came to a close.
Beatles fans, young and old, danced around the park grounds, grinning ear-to-ear. McCartney's performance seemed to be one of the most universally liked sets the festival has seen in 11 years.
"This is so cool I'd rather take a moment to drink it in myself," McCartney told the crowd, before playing hit after hit, including "Maybe I'm Amazed," I've Just Seen A Face," "Blackbird," "Let It Be," and "Hey Jude.
Howard, Alabama Shake's frontwoman wowed a large daytime crowd, soaking up rays at the stage where McCartney would soon close out the night. Howard screams. She shrieks. Her vocal range stretches word by word and seems intrinsically linked to the emotional lyrics of her songs. She wore a beautiful long-sleeved dress - and was probably burning up.
But she didn't show it. Instead she showed thousands how strong of a guitarist she is, and how unique of a voice she has. Friday's performance was a win for the band, who was forced to cancel their performance in 2012 amid a massive downpour that led to the festival's evacuation.
If you think Wings deserves to be nominated for the Rock and Roll Hall of Fame...