March 18, 2016 -- Irish Examiner

First glimpse of Paul McCartney's cameo for Sport Relief's Some Mothers Do 'Ave 'Em sketch

Paul McCartney
is the latest big name to shoot a cameo for the hotly-anticipated Some Mothers Do 'Ave 'Em sketch for Sport Relief.

So what will the legendary Beatle be doing in his sitcom appearance? Well, somewhat understatedly, he'll just be taking a stroll in a local park while chatting on his phone when he comes across Frank Spencer.

The beloved sitcom is making a return for one night only, with Michael Crawford reprising his famous role of Frank ­ last seen in 1978 ­ alongside Michele Dotrice as his long-suffering wife Betty.

Bond Girl Gemma Arterton has been signed up as their grown-up daughter Jessica.

Frank faces a desperate race involving a bike, rollerskates and a double-decker bus to reach the Olympic velodrome in time to watch her compete in the 10-minute sketch.

Other big name appearances include F1 driver Jenson Button, comedian David Walliams and cyclist Sir Bradley Wiggins.

The sketch will air on Sport Relief night on March 18 on BBC One from 7pm.

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March 2016

March 17, 2016 -- Report News

Second Minneapolis Date Added Due To Popular Demand
May 4 & 5 - Minneapolis, MN - Target Center





Due to the overwhelming response to yesterday's announcement of his May 4 date at the Target Center, Paul McCartney has confirmed a second Minneapolis stop on his brand new 'One On One' tour.

On May 5, Paul will play a second night the Target Center-added to satisfy incredible demand for tickets to Paul's first Twin Cities engagement since his legendary sold out August 2, 2014 evening at Target Field.

March 16, 2016 -- Report News

Paul Takes His 'One On One' Tour To Minneapolis

New US Date Confirmed

Wednesday May 4th - Minneapolis, MN - Target Center VENUE INFO

Paul McCartney has confirmed the newest date of his brand new 'One On One' tour.|

On 4th May, Paul will return to Minneapolis to play the Target Center - his first appearance in the Twin Cities since the 2nd August, 2014 performance at Target Field that drew a capacity crowd and unanimous critical raves...


Fans registered with by 7am (CDT / 12pm GMT) on Thursday 17th March will be eligible to purchase pre-sale tickets for Paul's Minneapolis concert through the website at 8am (CDT / 1pm GMT) on the same day (Thursday 17th March).

Register with by clicking HERE!

Wednesday 4th May - Minneapolis, MN - Target Center

Tickets for the newly announced dates will be on sale March 17 at 8am CT local time.

American Express® Card Members can purchase tickets in Minneapolis before the general public beginning Thursday,
March 17 at 10am local time through Sunday, March 20 at 10pm local time.




March 16, 2016 -- Report News

France Date Of New Tour Confirmed:

Monday 30th May ­ Accor Arena, Bercy, Paris
Paul McCartney has confirmed a brand new date for his 'One On One' tour in France this summer.
As with the launch of every new Paul McCartney tour, 'One On One' promises to unveil a dazzling re-designed set, dozens of classics from the most beloved catalog in popular music, spanning Paul's entire career--as a solo artist, member of Wings and of course as a Beatle-and no shortage of surprises. 

'One On One' will be heading to Bercy's Accor Arena this May as Paul returns to Paris after last year's triumphant concert at the Stade de France. The announcement is the latest European date to be confirmed following German and Spanish dates. 

PARIS PRE-SALE INFORMATION: pre-sale tickets will be available from 10am (CET / 9am GMT) tomorrow, Thursday 17th March. To purchase pre-sale tickets on Thursday, click the link below and enter the following password: 1ON1WITHPARIS

Monday 30th May: Accor Arena, BERCY, PARIS
(Pre-sale tickets on sale from 10am CET)



March 14, 2016 --

Paul takes his 'One On One' Tour To Madrid

Spanish Date Of New Tour Confirmed

Thursday 2nd June ­ Vicente Calderón Stadium, Madrid

Paul McCartney
has confirmed a brand new date for his 'One On One' tour in Spain this summer.

As with the launch of every new Paul McCartney tour, 'One On One' promises to unveil a dazzling re-designed set, dozens of classics from the most beloved catalog in popular music, spanning Paul's entire career - as a solo artist, member of Wings and of course as a Beatle - and no shortage of surprises.

'One On One' will arrive in Madrid on 2nd June with Paul's first appearance there since 2004. The Madrid show follows the announcement of the first 'One On One' European tour dates kicking off in Germany in May.

Fans registered with by 9am (CET / 8am GMT) on Tuesday 15th March will be eligible to purchase pre-sale tickets for Paul's Madrid concert through the website at 10am (CET / 9am GMT) on the same day (Tuesday 15th March). LINK

VIP PRE-SALE TUE 15/03 9am (CET / 8am GMT) LINK

Register with by clicking HERE!

'One On One' is the first new Paul McCartney tour since the juggernaut that was 'Out There' came to its stunning conclusion on October 22, 2015 with Paul's first ever concert in Buffalo, NY. 'Out There's finale capped off an incredible 2015, in which the tour played 27 shows in 22 cities throughout the world, with highlights including Paul's historic debut in South Korea - where the crowd at Seoul Olympic Stadium's refusal to stop singing the refrain to 'Hey Jude' literally forced Paul to reprise the song in the first encore, playing that signature bassline live for the first time - three nights at the Tokyo Dome and one at Budokan, a sold out stand at Paris' majestic Stade de France, more than a dozen packed arena shows across the US, UK and Europe, and triumphant headlines at festivals such as Firefly, Roskilde, and Lollapalooza in Chicago - the latter a tour de force performance for a 100,000-strong crowd featuring a guest appearance from Alabama Shakes' Brittany Howard on 'Get Back'.

The Paul McCartney live experience is everything any music lover could ever want from a rock show - and so much more: Nearly three hours worth of the greatest moments from the last 50 years of music, dozens of songs that have formed the soundtracks of our lives. Paul and his band have played an unparalleled range of venues and locations: outside the Coliseum in Rome, Moscow's Red Square, Buckingham Palace, The White House, a free show in Mexico for over 400,000 people, the last ever show at San Francisco's Candlestick Park where The Beatles played their final concert 1966, and even one performance broadcast live into Space! Featuring Paul's band of the last 10+ years ­ Paul "Wix" Wickens (keyboards), Brian Ray (bass/guitar), Rusty Anderson (guitar) and Abe Laboriel Jr (drums) ­ the show is never anything short of life-changing.

The 'One On One' Tour will debut a brand new production, as always utilizing state of the art audio and video technology and to ensure an unforgettable experience from every seat in the house. Employing massive screens, lasers, fireworks and, of course, a staggering selection of the best songs ever written or performed, every Paul McCartney show promises a once in a lifetime evening that transcends and elevates the potential of live music.
March 14, 2016 -- Kent Online

Beatle Sr Paul McCartney spotted at Ashford Cineworld

Rock and pop legend Sir Paul McCartney was spotted at Cineworld in Ashford yesterday to catch the third instalment in the Kung Fu Panda series. 

He visited the multiplex with a teenage boy, believed to be his grandson.

Zoe Robertson, from Folkestone, who is a massive fan of
The Beatles, was in the same screening as the singer/songwriter.
Her dreams came true when he approached her after the film was over. 

Miss Robertson said: "We saw him in the popcorn queue before the film and my partner said 'That's Sir Paul'. But I didn't believe him.

"But then when we were handing our tickets over to go through, the member of staff said 'Hello Sir Paul' to him, so we knew it was him."

Sir Paul, 73, and his young companion sat in the row behind Miss Robertson, who was with her partner and his daughter.

She adds: "When I went to the loo, another woman came up to me and asked if it was him sitting behind me. 

"Then when we were walking out, I saw him over my shoulder. He said hello to me and I said it back. He then crossed the foyer to come and talk to us. 

"He was really relaxed and friendly and asked us if we liked the film and what we were doing for the rest of the day."

Miss Robertson did ask for a photo, but the Hey Jude, Let it Be and Yellow Submarine hitmaker said he didn't take pictures. 

Miss Robertson said there was a "buzz" around the cinema, adding: "He could have just said hello, but he actually crossed the cinema to talk to us.

"My partner said that is one thing now crossed off his list, finding a way to get me to meet a Beatle."

March 9, 2016 --

PAUL McCARTNEY 'ONE ON ONE' - First Dates Of New Tour Confirmed

13th April: SaveMart Arena - Fresno, CA
15th April: Moda Center - Portland, OR
17th April: Key Arena- Seattle, WA
19th April: Rogers Arena - Vancouver, BC
20th April: Rogers Arena - Vancouver, BC
30th April: Verizon Arena - Little Rock, AR
02nd May: Denny Sanford Premier Center - Sioux Falls, SD
28th May: Esprit Arena - Dusseldorf
10th June: Olympic Stadium - Munich
14th June: Waldbuhne - Berlin TICKET LINK

2nd June: Vicente Calderón Stadium - Madrid (VIP PRE-SALE TUE 15/03 9am (CET / 8am GMT) LINK
Paul McCartney has confirmed the first dates of his brand new 'One On One' tour.
As with the launch of every new Paul McCartney tour, 'One On One' promises to unveil a dazzling re-designed set, dozens of classics from the most beloved catalog in popular music, spanning Paul's entire career - as a solo artist, member of Wings and of course as a Beatle - and no shortage of surprises. 


Pre-sale tickets will be available through Ticketmaster for the below North America shows from 8am PST / 11am EST / 4pm GMT on Thursday 10th March. To purchase pre-sale tickets onThursday, click the link below and enter the following
password: 1ON1WITHPAUL

13th April: SaveMart Arena, FRESNO, CA

15th April: Moda Center, PORTLAND, OR

17th April: Key Arena, SEATTLE, WA

19th April: Rogers Arena, VANCOUVER, BC

20th April: Rogers Arena, VANCOUVER, BC

30th April: Verizon Arena, LITTLE ROCK, AR

2nd May: Denny Sanford Premier Center, SIOUX FALLS, SD

US FANS: Tickets for the North American dates will be on general sale Monday, March 14th at 10am local time.

American Express® Card Members can purchase tickets before the general public beginning Thursday, March 10 at 10am local time through Sunday, March 13 at 10pm local time.


Pre-sale tickets will be available through for the below Germany shows from 8am CET (7am GMT) on Thursday 10th March
Fans registered with by 7am (CET / 6am GMT) on Thursday 10th March will be eligible to purchase pre-sale tickets for Paul's concerts through the website at 8am (CET / 7am GMT) on the same day (Thursday 10th March).

Register with by clicking HERE!

At 8:00am (CET / 7:00GMT) on Thursday 10th March pre-sale tickets will be available via the following links:

28th May: Esprit Arena, Dusseldorf

10th June: Olympic Stadium, Munich

14th June: Waldbuhne, Berlin

GERMANY FANS: Tickets for the Germany dates will be on general sale Saturday 12th March at 9am local time.

'One On One' will open 13th April with Paul's first ever appearance in Fresno, CA at the SaveMart Arena. On 15th April, Paul will play the Moda Center in Portland, OR, ending the near-11-year stretch since his last show in the Rose City on the US Tour in 2005. The 'One On One' tour will then proceed to Seattle, WA, for an April 17 evening at the Key Arena, a return engagement Seattle has been anxiously awaiting since the last notes of the encore featuring the living members of Nirvana that wrapped Paul's sold out Safeco Field extravaganza in 2013. On 19th April, Paul will roll into the Rogers Arena in Vancouver BC, returning to Vancouver for the first time since the magical evening at the BC Place Stadium during the final week of his 'On The Run' tour in 2012. And on 30th April and 2nd May, Paul will visit two more U.S. cities for the very first time, appearing respectively at the Verizon Arena in Little Rock, AR, and the Denny Sanford Premier Center in Sioux Falls, SD.

'One On One' will then travel to Dusseldorf, Germany on 28th May with Paul's first appearance there since 1972. On Friday 10th June Paul will return to Munich, over ten years since his last visit. His final German date will take him back to Berlin for the first time since 2009 on 14th June.

'One On One' is the first new Paul McCartney tour since the juggernaut that was 'Out There' came to its stunning conclusion on 22nd October, 2015 with Paul's first ever concert in Buffalo, NY. Out There's finale capped off an incredible 2015, in which the tour played 27 shows in 22 cities throughout the world, with highlights including Paul's historic debut in South Korea-where the crowd at Seoul Olympic Stadium's refusal to stop singing the refrain to 'Hey Jude' literally forced Paul to reprise the song in the first encore, playing that signature bassline live for the first time-three nights at the Tokyo Dome and one at Budokan, a sold out stand at Paris' majestic Stade de France, more than a dozen packed arena shows across the U.S., UK and Europe, and triumphant headlines at festivals such as Firefly, Roskilde, and Lollapalooza in Chicago-the latter a tour de force performance for a 100,000-strong crowd featuring a guest appearance from Alabama Shakes' Brittany Howard on 'Get Back'. 

The Paul McCartney live experience is everything any music lover could ever want from a rock show-and so much more: Nearly three hours worth of the greatest moments from the last 50 years of music, dozens of songs that have formed the soundtracks of our lives. Paul and his band have played an unparalleled range of venues and locations: outside the Coliseum in Rome, Moscow's Red Square, Buckingham Palace, The White House, a free show in Mexico for over 400,000 people, the last ever show at San Francisco's Candlestick Park where The Beatles played their final concert in 1966, and even one performance broadcast live into Space! Featuring Paul's band of the last

The 'One On One' Tour will debut a brand new production, as always utilizing state of the art audio and video technology and to ensure an unforgettable experience from every seat in the house. Employing massive screens, lasers, fireworks and, of course, a staggering selection of the best songs ever written or performed, every Paul McCartney show promises a once in a lifetime evening that transcends and elevates the potential of live music.

March 9, 2016 --

Paul McCartney on George Martin

I'm so sad to hear the news of the passing of dear George Martin. I have so many wonderful memories of this great man that will be with me forever. He was a true gentleman and like a second father to me. He guided the career of The Beatles with such skill and good humour that he became a true friend to me and my family. If anyone earned the title of the fifth Beatle it was George. From the day that he gave The Beatles our first recording contract, to the last time I saw him, he was the most generous, intelligent and musical person I've ever had the pleasure to know.
It's hard to choose favourite memories of my time with George, there are so many but one that comes to mind was the time I brought the song 'Yesterday' to a recording session and the guys in the band suggested that I sang it solo and accompany myself on guitar. After I had done this George Martin said to me, "Paul I have an idea of putting a string quartet on the record". I said, "Oh no George, we are a rock and roll band and I don't think it's a good idea".  With the gentle bedside manner of a great producer he said to me, "Let us try it and if it doesn't work we won't use it and we'll go with your solo version".  I agreed to this and went round to his house the next day to work on the arrangement.
He took my chords that I showed him and spread the notes out across the piano, putting the cello in the low octave and the first violin in a high octave and gave me my first lesson in how strings were voiced for a quartet. When we recorded the string quartet at Abbey Road, it was so thrilling to know his idea was so correct that I went round telling people about it for weeks. His idea obviously worked because the song subsequently became one of the most recorded songs ever with versions by Frank Sinatra, Elvis Presley, Ray Charles, Marvin Gaye and thousands more.
This is just one of the many memories I have of George who went on to help me with arrangements on 'Eleanor Rigby', 'Live and Let Die' and many other songs of mine.
I am proud to have known such a fine gentleman with such a keen sense of humour, who had the ability to poke fun at himself. Even when he was Knighted by the Queen there was never the slightest trace of snobbery about him.
My family and I, to whom he was a dear friend, will miss him greatly and send our love to his wife Judy and their kids Giles and Lucy, and the grandkids.
The world has lost a truly great man who left an indelible mark on my soul and the history of British music.
God bless you George and all who sail in you!

March 7, 2016 -- Daily Mail (UK)

A family affair: Proud father Sir Paul and glamorous wife Nancy Shevell sit front row at daughter Stella McCartney's star-studded Paris Fashion Week showcase 

He's the proud father of five successful children.

And doting dad
Paul McCartney couldn't contain his pride as he settled in to watch daughter Stella McCartney present her eponymous label line for Paris Fashion Week on Sunday. Paul looked the vision of health and happiness as he cosied up to Nancy ahead of his daughter's show.

Paul seemed to be enjoying himself ahead of the show, pretending to play the guitar and dancing around before heading in to watch his daughter present her designs on the runway.

Joined by wife Nancy Shevell, the former Beatles frontman, 73, beamed with anticipation as he headed into the show to take his rightful place on the front row - cutting a dapper figure in a tailored black suit and crisp white shirt with his eyes concealed by a pair of black sunglasses.

Standing by his side, Nancy, 56, cut a glamorous figure for the show, donning a pair of cropped white trousers in polka dot print, with a ruffled cream and coral jumper. 

Layering up in a chic peach coat, the star rounded off her ensemble in a pair of nude loafers with a cleated white sole and carried a small brown bucket bag.

Wearing her chestnut coloured tresses loose and tousled, she styled her glossy locks in a centre parting, framing her heart shaped face which bore a neutral make-up palette, allowing her natural beauty to shine through.  

Pretty as a peach! Nancy, 56, cut a glamorous figure for the show, donning a pair of cropped white trousers in polka dot print, with a ruffled cream and coral jumper. Layering up in a chic peach coat, the star rounded off her ensemble in a pair of nude loafers.

Stella McCartney Instagram photo

Paul seemed impressed with his daughter's work as he gave the designs a once-over on the catwalk. He kept to himself at the show ensuring all eyes were on his daughter's designs and not on himself.

But despite being surrounded by famous friends and glamorous stars, Stella was no doubt most keen to see her father in the audience as she stepped out onto the catwalk after the show. 

March 5, 2016

Paul to announce shows for the USA this month

The Macca Report has learned that Paul will announce concert dates for the USA this month, which includes a rumored July show in the Midwest!

February 2016

February 10, 2016 -- NL Times (Thanks to Jaap Janse, Macca Reporter)

Paul McCartney expected at Pinkpop

Paul McCartney
is widely expected to headline and close the 2016 edition of music festival Pinkpop. Just days later, American rock legend Bruce Springsteen is set to perform in Den Haag.

McCartney is "99 percent certain" to perform at the Limburg event, according to local media outlet 1Limburg. A verbal agreement was reportedly reached between McCartney's management and Pinkpop director Jan Smeets, the broadcaster reported.

The performance would likely close the three-day event in Landgraaf on
June 12, just six days before McCartney's 74th birthday.

February 10, 2016 --

Behind-The-Scenes Of The New Skype "Love Mojis"

As announced today, Paul has partnered with communications giant Skype to compose music to accompany ten "Love Mojis".

Shortly after Paul had been in the studio working on the audio, we were able to catch up with him to ask him about the project

What attracted you to the project?

Paul McCartney:
My team is always on the look out for interesting ideas. They had been talking to Skype and suggested that I would write music for some new "Mojis" to be used around Valentine's Day.

I was intrigued and thought it would be a bit of fun to see if I could do it! And it turned out to be a great laugh at the same time as challenging because you suddenly realise you've got to compress a musical interpretation of an emotion into less than five seconds. So with some of them, which were five and a half or six seconds, we had to work out a way to take the front off or just squeeze this or just take that bit out.

It was great! It was like doing a huge crossword puzzle and coming up with all these solutions. And at the same time it was musical so it was great practice for me in the studio.

As you were expressing universal emotions using music rather than language was composing for this project different from how you usually write, and did you learn anything from the process?

Yeah, that was the thing. The decision I had to make was if I was going to use my voice; which I thought might be a good thing because it then identifies it with me. But it would have to be without using words.

And you know, I've seen kids' cartoons that use sounds rather than words, but you still kind of know what they're saying! [Impersonates cartoon character.] So I thought I'll do that and just use "Doo-Dee-Do-Deee" and kind of sing it so it's me and my voice, but at the same time no words. So yes, that was a conscious decision.


What instruments did you use during the recording sessions?

I wanted to try and make the whole set have a signature sound, something that pulled it all together rather than just use a different instrument for every single sound so that it was like a portfolio of musical "Mojis".

I decided to start roughing them all out with the Moog synthesizer. So I did a musical phrase on the Moog for each of the 20 emotions. Then I decided sometimes we don't need a Moog, sometimes another instrument would be better.

The Moog was the first part and then I added my voice. Then I added xylophone to some of them, which is like a call sign. It's kind of like an airport tannoy, but I wanted that. I wanted it to sound like something you might find on your computer. So it was, "Do-Do-Doo" [mimics airport call sign].

So that mix of the Moog and the xylophone is something you'll hear, and then sometimes I added a guitar, voice, piano, harpsichord, and electric guitar. And then drums on the more sort of funky ones, like 'I'm solo and loving it'. I thought, "OK! I'm gonna get a funky drum track on that!" So it was great fun! Really, I thought it might take a day ­ it took a week!

Was there any reason why you fleshed out the ideas on the Moog?

I wanted it to be modern. I wanted it to sound sort of electronic so I wanted the signature to be an electronic signature rather than acoustic guitar, for instance. So I got the whole overall signature on the Moog in order to give it a modern flavour.

Which was the easiest expression to compose for?

I must say I didn't have too much trouble with many of them because it was instant. It was like, "I'm not going to spend a week composing this!" I'm just going to go [sings], "I love you, Do-Whee-Doo'. And then I gave another variation like, "Do-Whee-Oo-Oo". So really it was like, "First thought, best thought".

'Lust' [laughs], that was a good one to do. It's a great exercise. How do you do that? It's similar to composing a song; you're trying to get an emotion like, "I love you," or an "I miss you" emotion, or a "Don't leave me" emotion.

'Solo and loving it' was the other one that was good fun to do. 'Be My Valentine?' was nice too, and I think those three I just mentioned have a little more instrumentation than some of the others. I kept some of them very spare, because they sounded like they worked - just like a call sign.

But it was really first thought, best thought. I thought, "I can't deliberate over this - I've got to race them all out". Then I thought, "Well, I'll give a couple of alternatives," which were mainly for me to choose from. But I ended up liking the alternatives so I thought, "I'll let Skype choose".

Which was the hardest expression to compose for?

There were a couple that were more challenging; 'Flirting' and 'Blushing'. But I just kind of had a go at it and thought, "There you go!" And then if I didn't think it was enough, I might just add another instrument to try and get the feeling.

Is it exciting to think that potentially millions of people around the world will be using your music to express their feelings?

Yes very, it really is! It's already very exciting being a composer and a recording artist because you know in America, UK, Japan, Europe, etc. people are going to be listening to your records, to your music and that's a very exciting thing. With modern technology now you get the idea that millions of people at one point could actually be 'using' your music.

I like that, it's very exciting and it's very human. It brings us all together. We all go, "I love you," together. I'm interested to see how it goes. Anyone I tell about this I say, "If it comes off", because I'm always terrified with these kinds of projects that you might spend a week doing it all, and then somebody goes, "No, we tried it on the bosses and they don't like it!" If it comes off, I do love the idea of it - someone in America, signaling someone in Japan. It's just great communication. It's all about communication, baby!

Do you use Skype to communicate with family and friends?

I do when I'm on tour to keep in touch with friends and family. The big Skype user in the group is Wix! He's 'Mr Skype,' he's always at rehearsals moving his iPad round the room with his wife and child. I will say hi to his family!

Are you a fan of "Emojis" and do you use them with your family and friends?

Yeah I do! When I text I put a little thing. The one I happen to like a lot ­ I'm really lo-fi ­ is a little smiley face with shades, so it's cool and it's smiley!  

As these audio "Mojis" will be published around Valentine's Day, how would you define 'Love'?

I think it's one of the most important emotions in life!

Mojis sketches

The Mojis are available on Skype now.

February 10, 2016 --

Paul Writes New Music For Skype "Love Mojis"

Paul on composing music for Skype's "Love Mojis


Today, a collaboration has been announced between the world's most celebrated living musician and its foremost video chat and online communication platform: Paul McCartney and  Skype have partnered to launch a new range of animated love themed Mojis for Valentine's Day featuring exclusive new McCartney music coupled with Skype's animated designs. This new set contains ten specially created Mojis.

Paul McCartney's career is unparalleled. His music has reached hundreds of millions of people globally, spanning generations. Be it through live performances, composing pop songs, classical works, electronic music, film themes and scores, and most recently composing for the most anticipated video game of the last decade ­ 'Destiny', Paul has continued to explore new ways to reach people. Paul's music brings people together and breaks down language and cultural barriers. 

Mojis are short animated clips that you can use during Skype chats when words just aren't enough. These Mojis will be completely unique to hundreds of millions of Skype users and feature sound as well as video, giving the users chat a whole new dimension. This collaboration will allow Skype users to use this medium to convey love through music in a new and original way. 
Skype has long since been used by people all over the world to communicate and share personal moments. Like music, Skype can be used anywhere in the world to share the love, regardless of the user's location.  Visual emoticons have become increasingly more popular in recent years and have been used to communicate everyday emotions.  Today's announcement marks the launch of a new kind of digital expression ­ the audio emoticon.  Music has always had the power to express a range of different feelings and sharing an audio emoticon is a fun way of expressing feelings via brand new Paul McCartney music.
Paul was set a brief by Skype to compose for specific emotions. More used to writing chart-topping songs around the three-minute mark than expressing an emotion musically in a number of seconds Paul embraced the task.
Talking about the experience Paul said:
"It turned out to be a great laugh at the same time as challenging because you suddenly realise you've got to compress a musical interpretation of an expression into less than five seconds. It was like doing a huge crossword puzzle and coming up with all these solutions. And at the same time it was musical so it was great practice for me in the studio."

Paul recorded his compositions over a week at his Hog Hill Mill studio in Sussex. Using a variety of instruments including guitars, keyboards, drums, xylophone and his voice. In order to give the whole set a signature sound Paul started the compositions on a Moog synthesizer.

Paul explained:
"I wanted it to sound sort of electronic so I wanted the signature to sound electronic rather than acoustic guitar, for instance. So I got the overall signature on the Moog in order to give it a modern flavour." 

Speaking about the collaboration Gurdeen Pall, Corporate Vice President at Skype said:
"As one of the most iconic artists of all time, Paul McCartney is known for expressing his passion through music. When it comes to composing love songs there is no other artist in the world who has a better track record. Paul's music has touched the hearts of millions of people all over the world. We are thrilled to lend some of his magic to a set of Mojis conveying the world's most powerful emotion, love, through music and art. It was a great creative challenge for us to create the animations to match his legendary sound". 

February 10, 2016 -- The Sun (UK)

Love me brew: Sir McCartney brews beer from his estate

EXCLUSIVE: The Beatles' Macca running a microbrewery from his East Sussex home

Sir Paul McCartney is brewing his own beer using hops from his estate.

The Beatles legend, 73, named the ale Old Stinkhorn after a phallic-shaped mushroom which also grows on his farm.

The concoction is bottled on his land in East Sussex and given as gifts to colleagues and friends.

Fran Healy, 42, of the band Travis has received regular crates since the pair worked together on his solo album in 2010.

He said: "A box turns up every year. It's really nice."

Macca took up his secret home-brewing hobby several years ago. A source close to the star said: "Paul has been making the beer for a while now. It's delicious.

February 10, 2016 -- Daily Mail (UK)

Daddy cool! Sir Paul McCartney parties with daughters Mary and Stella at star-studded BAFTA film screening  

He is rarely seen in public with both daughters simultaneously. 

Sir Paul McCartney changed all that when he stepped out with daughters Mary and Stella on Friday evening in central London.

The Liverpudlian star, 73, looked delighted to join his glamorous offspring at the BAFTA screening of new film "This Beautiful Fantastic".

Cutting a dapper figure, The Beatles star had clearly dressed to impress for the occasion. Stepping out in a navy blue, pin-striped suit, he matched the ensemble with a classic white shirt and a pair of leather-effect shoes. Sporting brown hair, he looked considerably younger than his years.

Not to be out-done, Mary was also out in force - wearing a conservative, yet trendy, look. This consisted of a pair of fitted, black trousers with a square-neck blouse and a silk jacket, complete with baseball collars and equinn detailing. Scooping her hair up into a classy bun, she struck a dramatic resemblance to her famous father.

Fashion designer Stella was also looking good in her less-is-more choice of attire. Sporting a safe, but successful, sartorial get-up, she worked a little black dress which she teamed with thick, black tights and a pair of ankle boots. Wearing her hair down in a centre-parting, she managed to be both understated yet glam. Not that they were the only famous faces there, of course.

A host of British acting and fashion talent also attended the screening, including Noel Gallagher, Chrissie Hynde and hairdresser John Frieda.

David Gilmour, Polly Samson, Paul and Chrissie Hynde

The Pretenders singer, 64, looked typically cool in her trademark skinny jeans, grey jacket and bleach blonde hair. Her indie style was capped with a stunning pair of Grenson shoes in high-shine white leather-effect.

WEBMASTER'S NOTE: The McCartney's including brother Michael were in attendance at BAFTA on February 5th for a cast and crew screening of Simon Aboud's (Mary's husband) film,"This Beautiful Fantastic."

February 10, 2016 -- The Independent (UK)

When I'm 164: Sir Paul McCartney wishes GOSH a happy birthday and updates a Beatles classic


The musical legend has endorsed our Give to GOSH appeal and recorded a special message for the hospital

Former Beatle
Sir Paul McCartney has backed the Independent's Give to GOSH appeal with a heartfelt tribute to the generosity of reader and the great work of the hospital's staff and volunteers.

The endorsement from the former member of the
Fab Four comes at the start of the final week of the appeal for Great Ormond Street Hospital (GOSH), which has already smashed all previous records for our seasonal appeal by raising more than £3m ($4.3 million).

In a video message he has updated his 1967 hit "When I'm Sixty-Four" in honour of Great Ormond Street Hospital.

He said: "This is Paul McCartney here and this is a message on behalf of the Great Ormond Street Hospital. I want to thank everybody who has donated to their latest campaign and has given money to keep this great hospital and the great work it does going."

Sir Paul has a long history of supporting GOSH, including a paying surprise visit to the wards, performing karaoke sessions with patients and attending the hospital's annual Christmas party for patients.

February 10, 2016 -- BBC News

Paul McCartney portraits shown together for first time

Two portraits of Paul McCartney painted in The Beatles' heyday in 1967 are on display together for the first time.

The oils are among a raft of pictures of celebrities painted by John Bratby, one of Britain's most acclaimed artists of the 1950s and 1960s.

He fell out of fashion in the 1970s and moved to Hastings in East Sussex.

The town's Jerwood Gallery has brought the paintings of McCartney together in the first retrospective exhibition of Bratby's work.

The gallery, in collaboration with Bratby's family, launched an appeal to owners of his work to submit them for the show.

More than 300 entries were submitted, including the portraits of McCartney owned by collectors in London and Plymouth.

In all, Bratby - who was known for his "kitchen sink realism" style -
painted three portraits of McCartney. It is believed the musician himself owns the third.

Actor and comedian Michael Palin, who was invited to sit for Bratby in 1981, is among those who contributed portraits to the exhibition.

Palin said: "He wrote to me and said 'Come down to Hastings one day - it will only take an afternoon'.

"He worked very solidly for about three-and-a -half hours then he said, 'The work is done - it's yours for £700' ($1,017.00)

"I didn't like it at all but I paid the money.

"I really like it now and actually I am rather fond of his work."

Other paintings in the exhibition include still lifes, pop art and domestic scenes.

John Bratby: Everything But the Kitchen Sink Including the Kitchen Sink runs until 17 April.

Jerwood Gallery
Rock-a-Nore Road
Hastings Old Town
East Sussex
TN34 3DW
Tel: + 44 (0)1424 728377


Mojo Magazine
By Danny Eccleston

1967 Paul McCartney Portraits Star In John Bratby Retrospective

Two paintings of the Beatle reunited for the first time in Hastings gallery. But where's the third?

CAPTURING THE WHIMSICAL SPIRIT of one of the world's great musicians and one of the '60s best-dressed men, painter John Bratby's Paul McCartney portraits ooze character, one of them freezing the Beatles tunesmith in mid-whistle, or perhaps even a trademark 'Ooooooh!'.

One of the two Bratby McCartneys on display at the Jerwood through April 17th.

Two Macca portraits that Bratby painted in 1967 are reunited for the first time at Hastings' Jerwood Gallery between January 30 and April 17, 2016, in a show of the late painter's works entitled John Bratby: Everything But The Kitchen Sink, Including The Kitchen Sink.

But a third McCartney by Bratby ­ this one, presumably ­ appears to have hunkered down and has so far eluded curators.

Bratby, who died in his adopted home town of Hastings in 1992 whilst walking home from his local fish and chip shop the day after his 64th birthday, was one of the British art scene's great "radical realists" of the 1950s and '60s. Celebrities who sat for him included McCartney, Michael Palin, Arthur Askey and Claire Rayner. He is thought to have painted over 3,000 works, and many of the exhibition's most fascinating items were crowdsourced after an appeal for submissions elicited an avalanche of letters, photos and eccentric Bratby stories.

Jerwood Gallery Director Liz Gilmore says "a retrospective of John Bratby's work is long overdue, and where better for it to take place than in the town that he made his home. John Bratby was a complex and intense personality but I hope the show captures some of his moments of genius.

For more information about John Bratby: Everything but the Kitchen Sink, Including the Kitchen Sink follow @jerwoodgallery on Twitter and visit

And of course, if anyone knows the location of the missing Macca, both MOJO and the Jerwood Gallery would be delighted to hear from you.

Illustrations: Paul McCartney, 1967, by John Bratby. © Copyright the artists's estate and Bridgema


From gallery publicist Harry Cymbler ( for The Macca Report... )

The Macca Report wanted to know if Paul actually sat for the portraits.

"As far as we know, Paul never owned any of the portraits, but he did sit for all of them."

We also asked if they found the missing portrait.

"Victoria has been doing some research on the portraits and has come across the third painting! It belongs to the collection of the Kirklees Museum, near Huddersfield." 

January 2016

January 15, 2016 -- Paul McCartney Twitter

Throwback Thursday Photo

Paul at AIR Studios, London, 1982. Photo by Linda McCartney

January 15, 2016 --

Paul on David Bowie (1947-2016)

"Very sad news to wake up to on this (January 10th) raining morning. David was a great star and I treasure the moments we had together. His music played a very strong part in British musical history and I'm proud to think of the huge influence he has had on people all around the world.

"I send my deepest sympathies to his family and will always remember the great laughs we had through the years. His star will shine in the sky forever."

- Paul

Photo of Paul and David Bowie by Linda McCartney, 1985

January 15, 2016 -- Macca Report News

Stella's Autumn 2016 collection at Amoeba Music in Los Angeles, CA

Stella McCartney had a her Autumn 2016 Fashion show at Amoeba Music Tuesday, January 12th in Los Angeles, CA. It was a star studded event with Ringo Starr and Barbara Bach in attendance as well as, Beck, Katy Perry, Kate Hudson, Nicole Richie, Gwyneth Paltrow, Sarah Silverman, Mary J Blige, Maya Rudolph, Fred Armisen, Pink, Dallas Green, Orlando Bloom, Kate Upton, Demi Lovato, Selma Blair, Pamela Anderson, Quincy Jones and his daughter Rashida, Kelly Osbourne, Chelsea Handler and others. There were live performances by Dhani Harrison and his band Thenewno2, Brian Wilson, Marilyn Mason and Johnny Depp, The Dirty Dozen Brass band and You + Me.

Ringo Starr and Barbara Bach (left)

Stella with Kate Hudson 

Stella who was mourning the death of beloved rock icon David Bowie, had posters of him displayed for attendees to sign. His newly released final album "Blackstar" was played over the PA system.

On her Instagram page Stella posted a photo of her and Bowie and wrote...

"The man who fell to earth as a star and left us holding him in our hearts. He inspired me from the first time I dreamt and still inspires as I sleep... Thank you for being you, David, my heart goes out to Iman and the kids whom I love dearly. X Stella"

January 15, 2016 -- The Collector's blog - Macca Report News EXCLUSIVE!!!
By Meredith Evonne, Macca Reporter

What are Paul McCartney autographs worth?

Celebrity autographs are often sought after by the public for various reasons. For example, either a person is a fan themselves, or knows someone who would enjoy a signed memento as a gift. When dealing with Paul McCartney as a solo artist, and separate from his body of work with The Beatles, the monetary value of his autograph can be confusing. "How much are you willing to pay for his signature?" Vs. "What is the stand alone signature actually worth?" are the right questions to be asking.

Researching the history of a McCartney signature is important. Even if a person has an autograph that was personally signed for them, the main issue with an autograph is convincing someone else the signature is authentic. It really doesn't matter if your signature of an LP, like "Press To Play", is on display in your house, and as a conversational piece, you tell people about it all the time. The minute you'd like to sell it on to someone else, correct information is vital. If someone is willing to part with high amounts of money, you owe it to them to be an honest seller, to avoid the issue of having to refund back the amount of the sale. If you are a buyer, the major issue is not with spending money but not being taken advantage of based on what you receive.

Fake autographs are everywhere and common place. Information about autographs should be correct but often are not. Wording and phrases used in the market place are meant to attract attention. "Pre-Printed", "Copy," or any explanation that makes you aware that a computer printer could have been used to produce an autograph are items that should be avoided. Anything described as "Hand Signed", "In person," or "Actual" should have something substantial to back up these claims. Also, both buyer and seller should be knowledgeable about what McCartney's autograph should look like, and what types of items he is known to sign.

Aside from having an idea which autographs are authentic, considering having a Certificate Of Authenticity(COA) is a really good idea. Separately, using well known appraisers that specifically deal in Rock and Roll signatures or even an auction house that can provide the key information, goes a long way. The amount of money spent to authenticate an item is marginally small compared with the hassle of dealing with a fake item.

Actual Solo McCartney autographs can be priced anywhere in the range of thousands(depending on currency rates) but also in the mid-hundreds depending on the item. For example, a common photo with little value can bring a price down compared to something like one of Paul's signatures on a charity item or a promotional item from a record company. Anything he autographed that was relatively easy to obtain, should not be expected to be worth thousands, yet it doesn't mean that sellers will offer a price that reflects the actual amount of its value.

Even as a solo artist and during the period after The Beatles broke up, actual Paul autographs can have an intricate history behind it. It should go without saying, based on the popularity of McCartney autographs, if something is too good to be true, it probably is. Also, it may be better to have all the correct information before thinking how you could increase your income. If your going to part with an autograph, you should become reputable as seller. Good Luck!

You can read more of Meredith's collector blogs here:

December 2015

December 6, 2015 --

"If you are anywhere in the New York area..."

PHOTO: ©PMC / @patrickmcmullan

One of the many reasons we love living in London is there are so many great museums and exhibits to visit (definitley one of our favouite weekend activies!). Paul rang earlier today to let us know about an exhibit he enjoyed visiting in New York:

"Recently we visited my daughter Mary's exhibition at the Gagosian Gallery on Madison Avenue in New York City. It's really fantastic and titled 'Mother Daughter' as Mary is exhibiting with her Mum Linda. If you are anywhere in the New York area it's a must see. Lots of great photos from Mary and Linda on sale for a limited time. Dare I suggest that one of them would make the perfect Christmas present! It's a great show, so check it out! Love Paul."

The 'Mother Daughter' exhibition is free to view at the Gagosian Gallery located at 976 Madison Avenue, New York City. It runs until Saturday 19th December and the gallery is open between 10am to 6pm, Tuesday through Saturday. 'Mother Daughter' has been featured in Vogue, Vanity Fair and W Magazine and you can find out more details on the exhibition at the Gagosian Gallery's website by clicking HERE!

If you're not in the New York area, but would like to check out the prints, you can visit the gallery's online store by clicking HERE!
Go behind-the-scenes of the 'Mother Daughter' exhibition by clicking HERE!

December 6, 2015 --

You Gave Me The Answer - Jayne from the UK asks

Generally speaking, a person may have one or more forenames and one surname. Many of us have nicknames our friends and family might use (some admittedly more embarrassing than others ? we aren't telling you ours!) and some others of us use only our surnames or middle name.

Paul's full name is James Paul McCartney, and the reason why Paul calls himself Paul rather than James has been a cause for much speculation over the years.

We've heard this question asked on more than one occasion, so those of you who have been waiting for official clarification on this subject are in luck! Jayne from the UK has been in touch in to ask,

"Your given name is James Paul, why did your parents call you Paul rather than James, Jim or Jimmy?"

Q: We spoke with Paul shortly before he jetted off to complete the recent North American leg of his 'Out There' tour. (Check out some highlights from the shows HERE!)

PAUL: "Thanks for your question Jayne. It's a strange story! I was told that it was because if letters arrived at the house for James McCartney, you wouldn't know whether it was my Dad - that was James McCartney - or me, James McCartney. So that worked until they called my brother - whose name was Peter Michael McCartney - Michael!? And there was no Peter in the house to confuse him with! So I've ended up thinking it was rather Irish! I've no idea! My mum was Irish ? and I don't know, maybe there's just some old thing where they call you by your second name. Nobody ever called me James, it was always Paul!"

November 2015

November 11, 2015 --

Paul Signs Rocking Horse For Alder Hey Children's Hospital Auction

"Let's get rocking for Alder Hey!"

Bidding will start on Thursday 19th November HERE

This Christmas, one very lucky child could be receiving a personalised rocking horse signed by Paul. The horse ­ made by Stevenson Brothers ­ features
Paul's signature along with a handwritten lyric from the classic Beatles song 'Lucy in the Sky with Diamonds': "Rockin' horse people eat marshmallow pies!!"

The signature and Beatles quote are not the only ties the wooden steed has to Paul: Stevenson Brothers ­ who have previously designed rocking horses for 'Her Majesty' the Queen - modeled this particular creation not on "Henry the horse" who of course "dances the waltz", but on Paul's own Appaloosa named 'Moonstar', copying both his colouring and markings. 

On top of this, Paul has also placed an additional surprise inside a "secret locking chamber" that's been built into the underside of rocking horse!

This one-of-a-kind rocking horse is now up for auction to raise funds for the Alder Hey Children's Hospital in Liverpool and will be exclusively showcased at The Ultimate Christmas Fair between 26th-29th November. Paul told us he knows the hospital well and believes his mother Mary may even have worked there for a stint as a nurse. 

The Alder Hey Children's Hospital cares for over 270,000 children, young people and families each year and operates the biggest and busiest children's Emergency Department in the UK, treating nearly 60,000 children every 12 months and operating as a Children's Trauma Centre.
Alder Hey has launched a fundraising appeal to raise funds for life-saving medical equipment, arts and play activities and for vital research. The charity has just taken occupancy in a brand new hospital in Liverpool and a number of opportunities have been identified where charitable funding can make a demonstrable difference to the hospital, by enhancing the design and providing additional innovative services, which are both clinical and patient focused.

The auction to win Paul's one-of-a-kind rocking horse will run from November 19th until 29th November. 

To place your bid on Paul's rocking horse, you won't need to jump over "men and horses, hoops and garters" - just head to the bidding website by clicking HERE

November 11, 2015 --

Allen Toussaint (1938-2015)

Paul on musician, composer, arranger and record producer Allen Toussaint:

"Sorry to hear that Allen Toussaint died after a concert in Spain. Having worked with him in New Orleans I know what a sweet and gentle guy he was and a massive songwriting talent with songs like 'Fortune Teller', 'Southern Nights', 'Working in the Coal Mine' and 'Play Something Sweet (Brickyard Blues)'. His songs will be cherished by people like me who will have fond memories of Allen forever.  

"Deepest sympathies and love to his family from me and my family."
- Paul

November 11, 2015 --

Paul Nominated for 'Favourite Music Icon'

Paul has been nominated in the 2016 People's Choice Awards for 'Favourite Music Icon'. Fans will be able to vote until 11:59 PM EST on 3rd December 2015. The results will be announced live from the Microsoft Theatre on Wednesday 6th January 2016 on the CBS Television Network.
Cast your vote for Paul:

On the official Facebook app HERE

November 11, 2015 --

US Fans: Vote for 'FourFiveSeconds'

The '2015 American Music Awards' - the world's biggest fan-voted award show - have announced 'FourFiveSeconds' is in contention for 'Collaboration of the Year'.  

Paul's collaboration with Rihanna and Kanye West,'FourFiveSeconds' was released at the end of January having been teased by Kanye at the iHeartMedia music summit and announced by Rihanna. The track - featuring Paul on acoustic guitar - came out of sessions that he had with Kanye, which also produced the tracks 'Only One' and 'All Day'.

US fans can vote for 'FourFiveSeconds' via:

- Twitter by posting a tweet on a public account that includes FourFiveSeconds + Collaboration of the Year Un-leashed by T-Mobile + #AMAs
- By retweeting Paul's post HERE

- Or vote directly via Paul's Twitter post HERE

Voting for this category closes on 22nd November at 9:00pm ET, one hour into the live telecast of the 2015 American Music Awards.

November 11, 2015 -- The Collector's blog - Macca Report News EXCLUSIVE!!!
By Meredith Evonne, Macca Reporter

Paul McCartney Archives - Tug of War 'Super Deluxe' limited edition - a good investment?

"Tug of War", and "Pipes Of Peace" are now part of the Paul McCartney Archive Collection. Available formats of these releases include a standard, two CD edition containing bonus materal, and boxed set versions with DVD and booklet materials similarly released in this "Archive" series.

The extra twist with "Tug of War" is a rare 'Super Deluxe' limited edition version. The difference between what we can now consider the "Standard Box Set Version" is that the 'Super Deluxe' version contains
Linda McCartney hand numbered photo prints and a fancier, slip case cover, to box the standard materials. When these 'Super Deluxe' versions were made available for preorder during the summer, they were limited to only 1,000 copies and sold out quickly, despite the hefty price tag of over $100. Some of these sets, were originally offered for purchase through and have since shown up for sale elsewhere and are no longer available on Amazon. It is not unheard of or unexpected to pay double the original asking price for such a limited edition.

If you are lucky enough to own one of these sets or any Paul McCartney boxed set and hold on to it for years, will it gain more value? For now, It does not seem that the asking prices merit the actual value of the 1,000 copy sets. If the shift in music sales continues to decrease for CDs as vinyl has slowly but steadily been making a comeback, now would be the best time to sell, rather than later. As consumers welcome vinyl in stores, this dead format is far from staying down. CD sales are still very much alive, but along with vinyl, have to compete with sales of MP3 downloads (iTunes) and streaming music subscriptions, so the demand is no longer at its peak. A limited edition 1,000 copy run of the 'Super Deluxe' version is more attractive for the packaging and the Linda McCartney prints. The CD/DVD material becomes second-rate as these items are ripe for streaming services like YouTube. If there was no place like YouTube or other similar platforms, the included CDs/DVD would truely be defined as rare because of the limited availability of these boxed sets.

Many of these 'Super Deluxe' sets will inevitably lose further value by being opened. Flogging it on eBay may attract a buyer, but ridiculously high prices will persuade many to go with the cheaper 'Standard Box' for the audio and video material. My prediction is, that sales of the five Linda McCartney prints sold alone, and not right away, could be the way to make some reasonable profit. There are many different kinds of box sets in the McCartney catalog ranging from cassettes, vinyl and CDs with various high and low amounts of copies available and most vary in price from the country of issue. The only true, rare and lucrative box set editions lie with promotional versions, which bypass all consumer available material as they are intended for the industry only and not easily obtainable by the public.   

You can read more of Meredith's collector blogs here:

November 11, 2015 -- Paul McCartney Twitter

Throwback Thursday Photo

Paul preparing a bonfire night in the past. Have fun tonight.

October 2015

October 25, 2015 -- Macca Report News EXCLUSIVE!!!

Meeting Paul McCartney in Columbus, OH at Nationwide Arena

Craig and Elizabeth's close encounter with Paul McCartney at Nationwide Arena in Columbus, Ohio on October 13, 2015, as told to Jorie Gracen, exclusively for The Macca Report.

The Dream

My husband Craig, had the dream, and I had the vision. Craig has been to 26 Paul McCartney shows and it was always his dream to get on stage and meet Paul. In the past, when Craig talked about the possibility of meeting Paul on stage, I thought he was nuts. That would never happen! But the possibility seemed more and more real with every show we attended.

Craig lives and breathes The Beatles and Paul McCartney. I have loved The Beatles ever since I was a kid. Craig's first opportunity with Paul came when he was chosen as one of the "fans" featured in the "Get Back" 1990 concert video. Unfortunately, he didn't get to meet Paul, but he didn't give up his dream.

The Vision

Once our concert tickets were in hand for the Columbus show, we realized that we needed the proper attire that would attract Paul's attention. For myself, a sparkly British flag sequined dress was a MUST! And of course, Craig needed a British flag shirt to match! The finishing touch was my shiny red boots!

Before leaving for the sound check, I had second thoughts about wearing that dress and almost changed clothes! Craig was also nervous! We felt like dorks, but Rammed On in order to give our hearts to Paul.

The Signs

I had an idea to hold a sign that said: "My husband needs a hug". I thought Paul would think that was funny! The night before the concert, I thought Craig should also hold a sign that said, "My wife needs a hug". It was short, sweet, and to the point. I actually thought Craig might say no, but he liked it! He said it was good, because we were asking for something for each other, not for ourselves. I really wanted a tattoo, but wasn't going to put that on a sign, because it was done so many times. I wanted our signs to be more original so Paul would READ them!

The Tweet

The night before the show, Brian Ray (Paul's band member) retweeted a picture of me standing in front of a large sign at Nationwide Arena welcoming Paul to Columbus. Brian Ray's response to my tweet was a thrill and we were so happy and thankful for it.

Paul Reads My Sign

At the end of the sound check, Paul saw my sign. He read out loud, "My husband needs a hug." Then asked me, "Is that your husband? Well, give him a HUG!"

Needless to say I was in shock. Craig hugged me, but I didn't hug him back! It didn't register what Paul was saying to me! I thought Paul was saying HE was going to hug my husband! Then I realized Paul McCartney JUST SPOKE TO ME!!!

We left the sound check in disbelief, but happy that Paul read our sign.

The Concert Surprise

Before the concert, an audience member we spoke with predicted I would be on stage by the end of the night. I was really surprised to hear him say that. I didn't believe it, but later, Paul READ my sign and Craig's! He read: "MY HUSBAND NEEDS A HUG, and MY WIFE NEEDS A HUG." Then asked us to hug each other. So we did! Now we were BEYOND happy and ecstatic!

It was honestly the BEST concert EVER!!! Brian Ray waved to me, and the feeling was like no other! I was a giddy teenager again! It was magnetic! Paul looked, danced, sang, and told jokes better than ever! We heard Temporary Secretary, Hope for the Future, Four,Five,Seconds! WOW!!! Paul was ON FIRE!!! It was a perfect night and we thought it couldn't get any better.

PHOTO: © Jorie B. Gracen/Macca Report

Then It Happened

Craig told me we had to go, "NOW!!!" I didn't comprehend what he meant. I thought he meant we had to leave, because the concert was ending early! One of Paul's security people tapped Craig's shoulder and told him to bring me and follow him. We were going ON STAGE!!! The tears are coming as I type this! I had a feeling of total disbelief and yet believed it would happen.

To get to the side of the stage, we had to step over a row of people. Halfway through, I realized we didn't have a pen for the tattoo, so I frantically rushed back to get it! People were not too happy to clear the way again, until I told them we were going on stage! Then they were so nice. They told me to hurry. I was freaking out that I was going to miss it!

I prayed to God to calm me down and make my legs work. Deep breaths and dancing backstage, while Paul sang "Hi Hi HI," helped! I asked Paul's security guy, Brian Riddle if I could ask Paul for a tattoo signature. He kind of shook his head "no" and took my pen. I thought he was telling me, "no you can't ask Paul for a tattoo," but he was telling me I had the wrong pen!!!

PHOTO: © Jorie B. Gracen/Macca Report

Before going on stage, a huge wave of emotion came over me. I thought I was going to burst out crying, but I took deep breaths and asked for God's help. He centered me, so I could enjoy the moment and soak in the magic of being close to such greatness. Most importantly, I wanted to remember this. The security men told us not to worry, just to follow Paul's lead. They lead us on stage.

The Moment Arrives

Paul glowed as he welcomed us. It was so easy. Being in Paul McCartney's presence was magnificent! Craig said it was like talking to an old friend.

PHOTO: © Jorie B. Gracen/Macca Report

He asked us our names and was charming and sweet. My husband's silliness made up for my shyness and my shyness made up for his silliness. Craig started acting like a madman jumping up and down! I was scared he was going to do something crazy! Looking back at the video, it was so funny! At the time, we were just so freaked out, but Paul was all smiles. He was amused with Craig's antics.

PHOTO: © Jorie B. Gracen/Macca Report

Paul remembered our signs and asked, "Now, who wants to hug who? Three way hug?" We agreed. Paul hugged Craig and me really close and snuggled his head with ours! I was hugging the two men in my life! When we finished, Paul gave us both a two-handed high-five.

PHOTO: © Jorie B. Gracen/Macca Report

We were supposed to leave after that, but I asked Paul for a tattoo signature. He told us we were pushing our luck and said to me, "Get over here!" and signed my back! Before he signed, he politely asked, "Does your mother know about this?" I told him "YES!" My mom was flattered that Paul McCartney mentioned her.

PHOTO: © Jorie B. Gracen/Macca Report

Then it was time for us to leave. When I got off stage and turned around, my husband was not behind me! I asked the security guard where he was and he pointed to the screen! Craig's arm was on the screen and Paul was signing a TATTOO for him! I'm still laughing!

PHOTO: © Jorie B. Gracen/Macca Report

I floated back to my seat and honestly, don't remember the rest of the concert too well. It was so surreal. On our way back to our seats, it seemed like every audience member was asking us to pose for a picture and wanted a photo of our tattoos. Never have I experienced anything like this. We felt like celebrities running from the paparazzi! It was hard to get out of the venue. People were yelling our names in the streets! On our way back to the hotel, a girl in a car yelled out, "I'm sooooo JEALOUS!!!"

PHOTO: © Jorie B. Gracen/Macca Report

After the show:

At our hotel, there was another surprise. On Paul's Twitter page, Facebook page and Instagram page (over 18,000 LIKES), was a photo of us on stage with Paul! We felt so much joy!


We had to catch an early plane back to Chicago and needless to say, we didn't shower! The first thing we did when we got home was get those tattoos! My husband and I BOTH have Paul McCartney's signature tattooed on our bodies. I bet we are the ONLY couple who can say that!

Craig and I have thought of all the things we WISH we could have said to Paul McCartney. My husband wishes he could have thanked Paul for all the joy he has given him with his music. Paul is Craig's idol, and Paul is my love. Words can't express what he has given us. After watching the video though, I think it was just perfect. I wouldn't change anything.

You have to be thankful for what you have and enjoy it now. That is what we did throughout this entire experience. On the night of that concert and the days leading up to it, were the perfect flow for me. Being in that flow is what life is all about. It was heaven, and I'm still there. I released my expectations into the hands of The Divine. And The Divine Plan, as always, was better than my own.

"It was written in the stars that I would love you" -- Paul McCartney

Paul, you are our hearts and soul...
Love, Elizabeth and Craig


Read Elizabeth's blog:

Elizabeth's Facebook page:

Contact Info

September 2015

Sept 13, 2015 - The

Fifty years of "Yesterday"

SEPTEMBER 13th is the fiftieth anniversary of the release of "Yesterday" as a single: arguably the first solo Paul McCartney recording, and an early sign that he and John Lennon were drifting in different directions. It had come out a month earlier on the "Help!" album in America, but it was the first single release to feature the writing and recording of a single Beatle. As such, its anniversary makes an apt moment to ponder what made Lennon and McCartney's compositions so distinct, and why critics and journalists love pitting them against each other.

A documentary film exploring the question was released last year, with 550 artists squabbling over "Lennon or McCartney", just like the bickering voices in "Hello, Goodbye": "You say high, I say low, / You say why, and I say I don't know". (John won, 282 to 196, with a number of votes for the other bandmates and various other ineligible choices.) There's even a split along political lines: a 2013 poll showed that Democrats pick Lennon as their favourite Beatle, whilst Republicans and independents skew strongly McCartney [see chart below]. The silver-haired are drawn to Paul's golden oldies; rebellious youths are drawn to John's revolutions.

Of course some fans vehemently defend George Harrison as the band's most creative member, or prefer Ringo Starr's understatement. Many baulk at the very idea of dividing up the Fab Four (again). But the rivalry and eventual animosity in the Lennon-McCartney axis makes comparing their contributions irresistible. Sir George Martin, "the Fifth Beatle" who produced the band's albums, likened it to "asking what's the most important constituent in a sauce vinaigrette, the oil or the vinegar?" Granted, the two substances go together brilliantly-but they separate naturally after a while.

Lennon and McCartney were rarely so diplomatic, and would have quickly decided which garnish referred to whom. Though they co-wrote many tunes "eyeball to eyeball" over a piano (Lennon's words), and brought others into the studio to "check 'em out against each other" (McCartney's), both men generally referred to songs as "mine" or "his". Not always in flattering terms, either. In August 1971 a McCartney single, "Too Many People", contained a veiled dig at Lennon and Yoko Ono's political invective: "Too many people preaching practices". Lennon's response in September, "How Do You Sleep?", was as blunt as it was swift. "The only thing you done was Yesterday, / And since you've gone you're just Another Day", he taunted, referencing two songs from before and after the split.

The rivalry had begun by the time the first Beatles' albums were released: "it wasn't resentment, but it was competitive," Lennon recalled. It intensified with the arrival of Ms Ono: "in the middle of the night [John] would say 'They always cover Paul's songs, they never cover mine.'" And it continues today, with McCartney occasionally grousing about the order of the iconic "Lennon-McCartney" songwriting. (He is legally powerless to change even his own solo compositions to "McCartney-Lennon".)  At the lowest point of the relationship, in September 1971, Lennon told a painful anecdote on the Dick Cavett Show about a restaurant violinist playing "Yesterday" in his ear. The latter has since become the most covered song of all time.

Though it contains none of the acrimony that would mark the later recordings, "Yesterday", the song that Lennon spat back at McCartney after the split, is a good place to start when picking between the two. It was only released as a single in America; listeners in the UK had to make do with hearing it on Help!, as the band felt that a song which had been written and performed by only one member ought not to be promoted by itself. Featuring Paul on guitar, it was also the first Beatles recording to use classical instrumentation.

For those who prefer McCartney to Lennon, "Yesterday" is proof of what most would readily admit: Paul is the better composer, capable of producing complex melodies and arrangements that surpassed many of John's brash, monotone efforts. The chord sequence for "Yesterday" came to McCartney in a dream, and was so flawless that as he scribbled it down at his piano, he was certain he had pinched it from elsewhere-an unfounded anxiety that Lennon prodded mischievously. While Mr Martin scored the first draft of the strings, McCartney was careful to add his own personal touches, subbing in various phrases for the cello and violins. His ability to tease out a memorable tune was nothing new, and continued into his solo career: "Band on the Run" and "Live and Let Die" had better hooks than anything Lennon came up with post-1970. Likewise, Paul's penchant for dabbling in classical music has seen him release a number of orchestral albums, and produce a score for the New York City Ballet-a taste that first found expression in "Yesterday", followed by "She's Leaving Home", and the triumphant climax of "A Day in the Life".

Fans of Lennon point to the latter song as evidence that John wrote the better lyrics. His musings on the death of Tara Browne, a friend killed in a car crash, are more profound than McCartney's middle section about combing his hair and catching the bus; in turn, his lines about holes filling the Albert Hall are more perverse. Lennon's later pieces veered from the pretentious ("Revolution 9") to the eccentric ("The Continuing Adventures of Bungalow Bill") to the daft ("Dig A Pony"), but they were rarely bland. Speaking of "Yesterday" in 1980, he carped that "if you read the whole song, it doesn't say anything; you don't know what happened." Lennon's finest lyrics, from "Working Class Hero" to "In My Life" to "Woman" to "Help!", have a purpose and a freshness of expression that McCartney rarely achieved. "My independence seems to vanish in the haze" trumps the clichéd "Suddenly, I'm not half the man I used to be." (For a long time, Paul's placeholder lyrics to "Yesterday" began "Scrambled eggs, / Oh my baby how I love your legs", which he gamely performed in 2013 with Jimmy Fallon, an American chat-show host.)

There are, as ever, exceptions. Paul's "Eleanor Rigby", along with its sinister strings, has a morbid narrative that John would be proud of; Lennon's "Because", inspired by Beethoven's Moonlight sonata and requiring a nine-part harmony, could have been lifted from a McCartney scrapbook. At their best, both men crafted songs that few others are capable of. That they did so in tandem for so long should be enough to appease any fan.

September 13, 2015 - Marie Claire

Stella McCartney's Best Fashion Moments, In Honour Of Her Birthday Weekend

Known for making gorgeous clothes that real women actually want to wear, Stella McCartney is one of fashion's most influential designers and environmental activists. After interning at Christian Lacroix and attending prestigious design school Central Saint Martins, she took the helm at Parisian house Chloé in 1997, before founding her own label in 2001. She's never looked back, and 14 years and dozens of A-list parties later, she can count everyone from Rihanna to Gwyneth Paltrow as both fans and friends.

Here, we chart her best fashion moments

1995: The Graduate Show
Stella McCartney's Central Saint Martins graduate show was just like any other student production. She got her mates to model the collection (except those besties were Kate Moss and Naomi Campbell) and her parents sat front row (which really means Linda and Paul McCartney).

2012: The Magic Act
Despite being a London-based company, Stella always shows her collections on the Paris Fashion Week schedule. In 2012, however, she made an exception, hosting dinner during London Fashion Week for stars including Rihanna and Kate Moss, where magician Hans Klok levitated Alexa Chung before the fash pack's very eyes.

1997: The Chloé Debut
When relative newcomer Stella was appointed creative director at iconic French fashion house Chloé, after just two years in the business, her status amongst the world's mega-designers was secured. Just two years after graduating from Central Saint Martins, her predecessor, Karl Lagerfeld, suggested that 'Chloé should have taken a big name', but Stella and her then-assistant Phoebe Philo proved the Kaiser to be oh so wrong.

1999: The Amber Valetta Moment
Does it get any more 90s than this?! Amber Valetta modelled Stella's finale look at the Chloe show in 1999, a sheer metallic cowl top with white linen flares. Talk about a fashion flashback...

2014: The Sooo Cara Moment
Was it planned? Or did Cara Delevingne and Joan Smalls just fancy letting loose? Either way, their antics in Stella's AW14 show finale caught headlines around the world and put Stella's springy platform brogues on every editor's must-have list.

2015: Stella's Resort
Pre-collections have become as important to Stella's label as the main lines themselves. From her Manhattan croquet party, to a circus-themed soiree, she always draws a huge crowd of celebrity friends to her events, believing that it's as much about the experience as it is the clothes themselves.

2014: The Most Epic Girl Squad
Stella's won over the whole of Hollywood with her simple yet stunning approach to cutting red carpet gowns and has made a lot of new A-list friends in the process. At the MET gala in 2014, she arrived on the red carpet flanked by Cara Delevingne, Rihanna, Kate Bosworth and Reese Witherspoon, all draped in her creations. Now that's what we call SquadGoals.

September 13, 2015 - WWD

Stella McCartney Unveils Latest Lingerie Designs for Breast Cancer Awareness Month

STELLA'S GOOD CAUSE: Stella McCartney is for a second year launching lingerie designs in support of October's Breast Cancer Awareness month.

The designer has created the Alina Playing range - a balconette bra, a soft-cup bra and a bikini brief, all in the same shade of hot pink. A percentage of the profits from the range - which retails from $55 for the briefs through to $110 for the bras - will be donated to three breast cancer charities: thewill be donated to three breast cancer charities: the Linda McCartney Centre in Liverpool, England, part of the Royal Liverpool University Hospital; the National Breast Cancer Foundation in the U.S., and the National Breast Cancer Foundation in Australia.

McCartney has tapped Cara Delevingne to appear in a campaign shot by Sean Thomas to mark the launch, which pictures Delevingne wearing the set and making a heart shape with her hands at her chest. McCartney said Delevingne "represents a generation of young women that we are really trying to reach," adding that she hopes the campaign, to launch on McCartney's Web site and social media channels, will "inspire all generations of women to be aware of breast cancer and be aware that preventing it is the most positive approach." Last year, Kate Moss served as the face of McCartney's campaign.

As another part of the campaign, McCartney will launch Louise Listening, a post double-mastectomy compression bra. The design is fashioned in soft cotton in a light rose shade, and is designed to reduce discomfort during the healing process after surgery. The bra takes its name from McCartney's late mother, Linda Louise McCartney, who died in 1998 after being diagnosed with breast cancer. McCartney said of the design: "We wanted to bring something beautiful and feminine into a bra that is taboosomething that allows women undergoing [a mastectomy] to have something to be proud of, something with no shame attached."

All proceeds from the sale of the Louise Listening bra will benefit the Hello Beautiful Foundation, a London breast cancer charity founded by Jane Hutchison, a survivor of the disease. The proceeds from the bra, which retails for $125, will go toward funding the foundation's new London center for women with breast cancer and their families, which will focus on promoting a "healthy, nontoxic lifestyle."

The Alina Playing range will be available to buy on McCartney's Web site Thursday, along with retailers including, Barneys New York, Bergdorf Goodman, Saks Fifth Avenue and Neiman Marcus in the U.S. and Harrods and Selfridges in London, while customers can pre-order the Louise Listening bra on McCartney's site on the same day.

September 13, 2015 - The Guardian (UK)

Ringo Starr focuses on missing Beatles photos at launch of new book

Set of images recently found by drummer makes him think bandmates kept similar collections

Ringo Starr has called on Paul McCartney, Yoko Ono and Olivia Harrison to sift through their private photograph collections for a new Beatles project: "If they're listening ... dig out the negatives," he said.

Starr was speaking at the National Portrait Gallery (NPG) in London, where a new display of recently found photographs that he took and then forgot about was going on public display.

They include images of his fellow Beatles larking around and relaxing, as well as photographs taken on the band's first visit to the US in 1964.

The photographs are being published in a new book but Starr thinks there are many more fascinating pictures taken by his Beatles bandmates that could also be published.

"The other boys had cameras too, so the next plan is I want to get the rest of my pictures, Paul's pictures, Yoko will have John's pictures, Olivia George's ... it would make a great book. I'll be in a lot more photos."

He added: "If I put it out there, they might respond."

Starr said he discovered thousands of old negatives in boxes he hadn't looked in for nearly 30 years. "I had a lot of stuff in storage and we had to move everything and I started finding books of negatives, a lot of them I didn't know I still had."

He said he had always been a keen photographer but was a late starter. "Growing up, we didn't have cameras. I've got like six or seven photos from being christened until I was 18. Then I got into the cameras and now there is a lot of photos."

Starr managed to get pictures of his bandmates looking relaxed and unguarded. "These are shots that no one else could have taken." he said. "Together, they chart the story of four lads from Liverpool trying to live normal lives amidst the frenzy that surrounded them."

There are 20 portraits going up in the display in the NPG's bookshop. Each can be bought for £1,900 (2,931.32) as part of a limited edition. The book is published on September 21 but can be bought beforehand from the NPG. BOOK LINK

On the cover is a photograph of a young silky-haired Starr with a cigarette and camera taken looking directly into a mirror. "I like to say it is the first selfie," he said.

September 12, 2015 -- Charity Buzz

Meet Sir Paul McCartney & Receive 2 VIP Tickets to his Concert in Columbus, OH on October 13th

Here's your chance to meet the biggest rock star of all time!

This exclusive opportunity includes 2 tickets from the Artist's Guest List to the Sir Paul McCartney concert on October 13 in Columbus, OH and a backstage meet & greet!

Paul McCartney is the former front man of the most successful rock band of all time, The Beatles, and his solo career has achieved unparalleled world-wide success since its beginning in April of 1970. The first 12 years of his solo career produced nine number one singles and seven number one albums. With The Beatles, Paul and John Lennon, penned more than 300 songs and created some of the music industry's most famous rock ballads like "Hey Jude," "Let It Be," and "Here There and Everywhere."

When it comes to legendary renown, simply stated, nobody compares to the most successful performing artist of ours' or anytime . . . Sir Paul McCartney!

Proceeds will help to renovate the art school where John Lennon studied, which was purchased by The Liverpool Institute for Performing Arts (LIPA). This building is on the LIPA campus next to Paul and George's old school, which LIPA currently occupies. LIPA was co-founded by Sir Paul McCartney. Your name will be acknowledged on a brass plate within the building.

Donated by: Sir Paul McCartney and The Liverpool Institute for Performing Arts


An opportunity to win two VIP tickets to an upcoming Paul McCartney concert and a meet-and-greet with Sir Paul and also help McCartney's Liverpool Institute of the Performing Arts (LIPA) is now being auctioned by Charitybuzz, the website announced Sept. 9. The winner will get two tickets to the Oct. 13 concert at Nationwide Arena in Columbus, Ohio, along with the opportunity for a meet-and-greet backstage before the show.

Charitybuzz has estimated the value of the prize at $25,000. (Current Bid is $26,000)

BID LINK (Auction ends Wed, September 23rd @ 2015 3:00:00 PM EDT)

Proceeds will be used to help to renovate the Liverpool College of Art, which
John Lennon attended. The building was purchased by The Liverpool Institute for Performing Arts (LIPA), which was co-founded by Paul McCartney, in 2012. The building is on the LIPA campus next to McCartney and George Harrison's old school, which LIPA currently occupies. The winner's name will also be acknowledged on a brass plate within the building, Charitybuzz said. The prize was donated by McCartney and The Liverpool Institute for Performing Arts.

The prize is valid for two people at the Oct.13 concert at the Nationwide Arena in Columbus, Ohio. The winner will be either able to choose from ground level tickets toward the back of the floor or seated tickets, with exact seat locations for either option to be determined. Charitybuzz says the tickets cannot be transferred, resold or re-auctioned and that travel to the concert and hotel accommodations are not included in the prize. The winning bidder and their guests are also subject to security screening.

Charitybuzz says a professional photographer will take a photograph of the winner and their guest with McCartney. Other photography or autographs will not be allowed, but the Liverpool Institute of Performing Arts will provide signed CD covers personally chosen by McCartney after the conclusion of his fall tour.

September 12, 2015 -- Liverpool Echo (UK)

Sir Paul McCartney's daughter, Mary, takes official photograph to commemorate Queen's milestone

Although it is a given that Paul McCartney is a proud member of the phenomenal band The Beatles, McCartney is even more proud as a dad. Her daughter, a renowned photographer, Mary McCartney has been honored for taking the official photograph in celebration of Queen Elizabeth II's longest reign as a monarch in the history of Great Britain.

Official photo of Queen Elizabeth II by Mary McCartney

This picture of Queen Elizabeth II taken in July 2015 has been released by Buckingham Palace to mark the moment she becomes the longest reigning British Monarch. The photograph, by Mary McCartney, shows The Queen seated at her desk in her private audience room at Buckingham Palace with one of her official red boxes which she has received almost every day of her reign and contain important papers from government ministers in the United Kingdom and her Realms and from her representatives across the Commonwealth and beyond.

A photograph of the Queen to mark her becoming the longest reigning monarch was taken by Sir Paul McCartney's daughter.
Mary McCartney, 46, who also works as a vegetarian cookery writer, is the eldest daughter of Sir Paul and his first wife, photographer Linda Eastman McCartney.

The image was released by Buckingham Palace to mark the moment Queen Elizabeth II becomes the longest reigning British Monarch. At 5.30pm on September 9, Queen Elizabeth II, surpassed Queen Victoria's record of 63 years and 217 days on the throne.


Express (UK)

Sir Paul McCartney admits he's a 'proud' dad after daughter Mary photographs the Queen

legend Sir Paul McCartney admitted he was one 'proud' dad today after his daughter Mary was commissioned to take the official portrait of the Queen to celebrate her becoming Britain's longest reigning monarch

Like any modern day parent, the 73-year-old star took to social media to express his delight over his daughter's amazing achievement.

In the snap, Her Majesty sits smiling at her desk as she holds a document from one of her official red boxes.

The McCartney family have often been called upon to celebrate the Queen's time on the throne, with
Sir Paul performing at both the Golden and Diamond jubilee pop concerts.

September 12, 2015 -- ABC Radio

Johnny Depp Says Playing with Stars Like Paul McCartney on Hollywood Vampires Project Was "Shocking"

Vampires, the band formed by Alice Cooper and actor Johnny Depp, didn't start out as the star-studded project it became.

"I had already written a bunch of music and we started recording and then it became this Vampire thing," Depp said, explaining the origins of the project on Jimmy Kimmel Live!

Pretty soon, and apparently to Depp's surprise, Cooper started bringing in a string of superstar performers to participate in the tribute to the original "Hollywood Vampires" - an informal group of rock stars who Cooper used to drink with in Los Angeles in the 1970s.

"It was pretty shocking," Depp admitted of working with the likes of Aerosmith's Joe Perry, Joe Walsh and Paul McCartney.

Hanging around with Perry also had a side benefit for Depp beyond music. Depp is starring in Black Mass, out September 18, a movie in which he plays Boston gangster Whitey Bulger and, he said, Perry helped him with the part, if unintentionally. "Joe's got a pretty thick Boston accent," Depp told Kimmel. "So I just sponged it."

"Wow: so there's a little bit of Joe Perry in Whitey Bulger," Kimmel said. "There is indeed, you know," Depp laughed.

Hollywood Vampires, with Cooper, Depp, Perry and two ex-Guns N' Roses members - bassist Duff McKagan and drummer Matt Sorum - as well as Cooper's touring guitarist Tommy Henrickson and longtime Depp collaborator Bruce Witkin on piano and guitar, will play their first U.S. shows September 16 and 17at the famed Sunset Strip venue The Roxy Theatre in West Hollywood, California.


Macomb Daily

Listening Room: Hollywood Vampires

The Hollywood Vampires in the studio:
Abe Laboriel Jr, Johnny Depp, Paul McCartney, Alice Cooper and Joe Perry. Courtesy Hollywood Vampires / Facebook

On paper, Hollywood Vampires - an all-star project led by Alice Cooper and actor Johnny Depp that pays homage to the West Coast rock star party crew of the early '70s - is a hoot. And the ad hoc troupe's disc is certainly that. The 14-track set features mostly covers of Cooper's old gang - his "Dead Drunk Friends" as he refers to them in one of two new songs - delivered with hard-rocking bravado and the energy of a garage band, albeit a highly seasoned and accomplished one, playing some of its favorite music. Cooper and AC/DC's Brian Johnson egg each other on during Led Zeppelin's "Whole Lotta Love" and a coupling of Cooper's own "School's Out" and Pink Floyd`s "Another Brick in the Wall Part 2," the latter of which features members of the original Alice Cooper band. Perry Farrell of Jane's Addiction joins Cooper for Spirit's "I Got a Line on You" and a medley of Three Dog Night's "One" and Harry Nilsson's "Jump Into the Fire," while Paul McCartney joins a rave-up treatment of Badfinger's "Come and Get It," which he wrote, and Doors guitarist Robbie Krieger plays on a medley of his band's "Five To One" and "Break On Through." The rest of the guitar army includes Depp, Aerosmith's Joe Perry and Joe Walsh, while Dave Grohl and the Who's Zak Starkey show up on drums. It's lots of fun and a little bit poignant, and these Vampires show the bite that the formidable lineup promises.

Sept 12, 2015 - PM.COM

Paul Contributes to New UN Single

Internationally renowned artists have come together to record a song to raise awareness about climate change and  support the United Nations' call for a meaningful, universal, global climate change agreement to be signed by governments in December.

Along with
Paul, 'Love Song to the Earth' features performances by Jon Bon Jovi, Sheryl Crow, Fergie, Colbie Caillat, Natasha Bedingfield, Leona Lewis, Sean Paul, Johnny Rzeznik, Krewella, Angelique Kidjo (a UNICEF Goodwill Ambassador), Kelsea Ballerini, Nicole Scherzinger, Christina Grimmie, Victoria Justice and Q'Orianka Kilcher.

The artists, producers and directors of the Love Song project - as well as Apple - are donating their respective proceeds to Friends of the Earth US and the United Nation Foundation. 

The artist who feature on 'Love Song to the Earth' are asking their fans to "Share the Love Song" and "Take Climate Action Now" by signing a petition that will be delivered to world's leaders at the beginning of the climate conference. 

'Love Song to the Earth' is exclusively available worldwide on  iTunes  and Apple Music Via Connect. More info HERE 



WZLX Music News

Paul McCartney
And Others Record 'Love Song to the Earth' To Battle Climate Change,

Sometimes, famous musicians champion great causes. But they're not scientists or engineers, so the only way they can really make a difference is to do what they do, create music. It can raise awareness and donate funds for the people who can really have an influence.

A group of famous artists have gotten together to record "Love Song to the Earth", a single designed to raise awareness and cause action against climate change. Among the 16 performers are Paul McCartney and Jon Bon Jovi.

Paul co-wrote the song with Natasha Bedingfield and producer/songwriters Toby Gad and John Shanks. A lyric video featuring Chuck Leveall is also due out.

September 2, 2015 -- Macca Report News


Wisdom Teeth and Sir Paul


See what happens after a huge Beatle/Paul McCartney fan has their wisdom teeth pulled!!!

A Jordan, an avid Paul McCartney fan, had her wisdom teeth extracted and to ease the pain of that experience she kept Macca close... She also had some powerful pain meds.

Watch this video all the way through and you will LYAO!!! Guaranteed!!!

September 2, 2015 -- Macca Report News EXCLUSIVE!!!
By Meredith Evonne, Macca Reporter

Paul McCartney Vinyl Collectibles - What Are They Worth?

Paul McCartney's 45 rpm records as a solo artist, are collectible items but not always highly profitable. All records have to be well cared for. It's not a good idea to regularly play an import copy of "Mull of Kintyre" (1977) on a turntable and then attempt to sell it with visions of dollar signs. Potential buyers will not pay top dollar for a scratched, chipped and overly played 45 rpm with a worse-for-wear jacket cover. The only way a single in poor condition will be a guaranteed seller, is if it is rare. Rare can be a deceptive word and if your record is described as average, it is less than pristine quality and not as valuable.

Many of McCartney's back catalog singles were mass produced for the record buying public and these singles are common place to find. The better the condition of the single, the more value it will have. This doesn't mean that your collection of McCartney singles that are not Mint quality, should be thrown away. It simply means you need to recognize what has value and what doesn't. Some simple research can give you an idea of what a particular single can sell for in 2015.

It's also a myth that a high-valued single will easily fetch an asking price. A novice might be willing to overspend on a single, but often the seller wants top dollar for profit. Spending high amounts of cash should only be considered for a completist, not the average Joe.

A scratched and beat up import copy of "Mull of Kintyre", for example, will not sell as well as one in better condition. Collectors who understand this will offer you a low end price of $5 to $8 depending on its condition. If it is considered Good to Poor quality, it would not fetch as much money as, Very Good, Near Mint or Mint, which can be sold at reasonably higher prices. Domestic vinyl is usually the easiest to find, so if it's damaged in anyway you can expect it to sell between $.50 and $3.00.

The condition of record jackets or sleeves can add or diminish value to a potential sale. They should be free of stale smells like mildew or cigarette smoke, discoloration from foods, finger prints or sunlight, and major damages like rips, creases and water damage. If the jacket has stains from the shape of the record pressing through its paper, known as ringwear, it is sure to be passed up for a copy with a cleaner cover.

As long as the vinyl is in decent condition with all of the original components (correct sleeves and inserts), it might be able valuable to sell. It's more lucrative to sell several decent quality 7" records all at once. Looking for the right buyers is as easy as looking at newspaper or Internet ads for people who buy collections.

Paul McCartney solo vinyl is a bit interesting because, McCartney couldn't settle on a name to be credited as. In the beginning of his solo career, 1970 to 1975 his album credits were, McCartney, Paul and Linda McCartney, Wings, and Paul McCartney and Wings. From 1975 to the present day, he used Wings or Paul McCartney with several exceptions (i.e. Thrillington, Suzy and The Red Stripes, The Fireman, Twin Freaks etc.). It is also worth noting the different import versions of his singles on various record company labels and bootleg market labels.

Most McCartney 45's released in the last twenty-five years have some market value due to limited runs and unique printings. For example, picture discs (artwork that takes up the entire vinyl) from "Flaming Pie"(1997) are collectibles because of the limited release of that format. They originally sold for around $8 and have doubled in value to $10-$15. Comparatively, finding the misprint title of "No More Lonely Nights"(1984) with "Lonely" spelled as "Lonley" is a collectible though many 1980's 45's have less interest for buyers.

Buyers' interest can change and is key to understanding what 45 releases in your collection are worth selling. If you have doubts based on the condition and type of release, it's better to research the current selling trends for that particular release. Finding out what "limited edition" and other printing claims on vinyl actually equate to profit is well worth the effort.

WEBMASTER'S NOTE: Meredith Evonne's collector blog will be a regular feature of The Macca Report. If you have questions about your collection send an email to The Macca Report.

September 2, 2015 --

For Whom The Bell Tells 2015 touring - PART THREE

And so, for the next collection of shows we come up to date with our visit to mainland Europe. We take in tulips, on-stage proposals, sheep christenings and a rare festival appearance for Paul.

Meanwhile before we get back on the road, back in the UK, Paul graced the cover of men's lifestyle magazine Esquire for their special music issue.

MARSEILLE, FRANCE (June 5, 2015)

It is a beautiful, hot day in the South of France and as I do my usual routine of leaving the hotel early to find coffee and the local newsagent, I'm delighted to see Paul looking back at me from the cover of local paper La Provence with details about tonight's show.

The local coffee shop is playing McCartney II, perhaps in hope of getting 'Temporary Secretary' in tonight's show (they won't be disappointed, by the way).

The Nouveau Stade Velodrome is colossal and tonight Paul christens the stadium with the first concert since it was revamped and inaugurated just last year. In soundcheck, Paul rocks 'Good Day Sunshine' - entirely fitting for such glorious weather, much to the delight of the soundcheck party (although to be fair they are delighted with all Paul's choices!)

Post-soundcheck, Paul speaks to France2 TV news about bringing the tour back to France for their big evening news show, completing the interview in the field in front of the stage. The second he safely returns to the backstage area, the security staff open the doors and the crowds come running in, racing to get the best possible spot. I'm almost flattened by a stampede of fans rushing towards me as I try to flee to our space behind the stage!

At 9:30pm Paul takes to the stage - I'll let the reviews do the rest of the talking:

La Provence:

"40,000 fans fell for his charm. Cultural icon, legend, the myth... he lived up to all these descriptions. On Olympic form he took to the stage at 21:30 and made the dreams of a packed stadium come true.

"Looking elegant and slim he addressed the crowd in French asking the audience if they were here to party with him.

"He carried the show for three hours displaying his skills on various instruments. He made his mythical Hofner bass roar in the rocking moments and caressed his acoustic guitar in the tender moments."

"40,000 fans in 'Paul' position" (Nice Matin):

"The left-handed Beatle got straight to the point for his only French concert ahead of playing in Paris next week.

"Arriving on stage at 21:30 with his mythical Hofner bass he put 40,000 people under a magical spell. His variety of songs meant that time had no meaning as the decades dropped away. The melodies were our guide through this special journey.

"At his side throughout the night were his long-term accomplices Paul 'Wix' Wickens, Abe Laboriel Junior, Rusty Anderson and Brian Ray.

He punctuated the set with French phrases such as 'Bonsoir Marseille sous le soleil' and 'Allez l'OM'."


My first email of the morning on show day comes in from Paul's digital manager Steve, informing me Paul is already trending on Twitter in the Netherlands. Pretty cool, because Paul hasn't even touched down in the country at this point! I pop out to grab a coffee on the streets of Amsterdam and am greeted by an array of Macca posters, as well as fans dotted all over the place. The non-virtual world is echoing Steve's digital stats rather nicely!

To mark Paul's trip to Amsterdam and to honour his "positive contribution to the Netherlands and the world", the flower growers association Remarkable Tulips is launching an official Paul McCartney tulip - a completely new form of the flower. It is red - a reference to the colour of Liverpool FC ­ and white, which is said to symbolise "infinite possibilities" (Paul also points out that it stands for peace). He helps to christen the new breed just minutes before taking to the stage at the Ziggo Dome on the first of two nights in Amsterdam. Pouring champagne over the new flower, he declares: "Well, this doesn't happen every day."

As Paul leaves the little ceremony to walk to the stage, he asks that all the crew get a tulip each. What a nice touch.

As for the shows? Well, they are great. Before Paul plays 'Here Today', the audience break into a spontaneous sing-along of 'Give Peace A Chance' and Paul happily joins in. Paul also gets two couples on stage during the encore, creating some memories that will last a lifetime for those fans - even more so for the second couple, as Paul invited the young man to propose to his girlfriend. He did to a huge audience response, and his girlfriend accepted - imagine the story they will tell to their children!

McCartney was great for a hundred reasons (NRC Handelsblad):

"Sir Paul is on better form than ever, performing a concert that spanned his complete solo career, as well as that of The Beatles and Wings. After a brilliant show that lasted almost more than three hours at the Ziggo Dome, it was obvious that not only had McCartney enjoyed himself, but also he had given his audience such a beautiful experience.

"He switched with amazing ease between the hi-tech music of his recent single 'Hope For The Future' and a sober and acoustic 'Blackbird'. In a touching way, he honoured John Lennon with 'Here Today', an imaginary conversation with his old friend and sparring partner.

"There were a hundred reasons to consider this a memorable concert. The barrelhouse piano of 'Lady Madonna', the irresistible country shuffle of 'I've Just Seen A Face' and the way McCartney reacted to the audience when they spontaneously started singing 'Give Peace A Chance'. 'Let It Be' and 'Hey Jude' became piano hymns of community singing and shared memories. It never got boring; during 'Live And Let Die', fireworks exploded like never before at an indoor concert.

"During an elaborate encore, Paul McCartney followed the sweet 'Yesterday' with a heavy version of 'Helter Skelter', proving once and for all that he wasn't the geek of The Beatles, but the biggest rocker. Such a fantastic setlist built over fifty years, other artists can only dream!"

PARIS, FRANCE (June 11, 2015)

"Paul McCartney electrified the Stade de France. He was irresistible as he took us through his treasures" (Le Parisien)

"An amazing show! Legendary songs, high emotions and an over excited audience were proof McCartney was on his best form ever" (L'Express)

We're back to France and like our recent visit to Marseille, it's a very hot day. As we enter the stadium in the morning memories come flooding back of Paul's last concert at the enormous Stade de France in 2004.

There are lots of French VIPs here hoping to say hi to Paul, including one of the electronic duo Daft Punk. He was in disguise tonight ­which involved NOT wearing his robot helmet! Hollywood actress Natalie Portman ­ the star of Paul's 'My Valentine' and 'Dance Tonight' - is in town too and of course she pops along to the show.


Roskilde is the largest festival in Northern Europe. It launched in 1971 (the year Paul released RAM) and attracts 130,000 people each year, and that figure includes the line-up of thousands of artists. It will be Paul's third European festival appearance to date (the others were Glastonbury in 2004 and Isle of Wight in 2010). In the days leading up to the show Paul gave an exclusive Danish interview to website SoundVenue, explaining: "Everyone speaks very nicely about Roskilde as a nice place with a great atmosphere, so I'm really looking forward to it."

Today, Denmark is roasting in a heatwave and the temperature seems to be magnified on the exposed festival site. Paul arrives on site shortly after 7pm, three hours before he is due to take to the stage, and to prepare for the show, he takes a Danish translation session so that he can speak to the crowd in their own language. After being primed with his phrases he has a birthday surprise for tour photographer MJ Kim. MJ is summoned to meet the boss and Paul has gathered the crew together for a "Happy Birthday" sing-song and a cake presentation.

This being a festival, there isn't the opportunity for the normal pre-show soundcheck, so tonight's warm up is a couple of acoustic numbers in the backstage area. Festival staff gather to listen excitedly on the other side of the fence from Paul's backstage compound to catch versions of 'Got To Get You Into My Life' and 'Good Day Sunshine'. At 10pm, Paul hits the Orange Stage and is greeted with a phenomenal reception. You can feel the energy coming from the crowd.

Berlingske Tidende:

"McCartney gave Roskilde a gift ­ his music

"The classics were lining up when Paul McCartney gave us a musical history lesson on the Orange Stage on Saturday eveningand it was the best lesson ever.

"The concert, that lasted nearly three hours, was a fantastic musical experience for all.

"McCartney and his four fellow musicians played brilliantly. As he constantly shifted around between his iconic Höfner bass, electric and acoustic guitars and keys, there could be no doubt about his great musical talent and his legendary status."


"McCartney gave a historic end to a great concert ­ 'The magical mystery tour is waiting to take you away / Waiting to take you away'. That is what one hopes for when Paul McCartney gives a concert and that is what happens. He takes us to a magical place where we drown ourselves in excitement.

"I do not think in the history of Roskilde I've seen so many good songs together performed in one set. It was overwhelming to stand in the middle of the audience and be part of such a communal moment.

"Paul McCartney with his insanely tight band gave a historic end to a great concert and festival."

OSLO, NORWAY (July 7, 2015)

Paul is back in Oslo for the first time in 11 years, landing just after 3pm and even during his short drive to the venue he uses the time productively with a call to Norwegian radio station P4 en route, with a quick chat about being back in the city, among other things. I'm guessing quite a few readers here may not have access to P4 so here is a taste:

Paul: "I have a kind of special relationship with Norwegian people, because you send a lot of people to my school in Liverpool (LIPA). So, I meet quite a lot of Norwegian kids in the school, because some of them I do classes with. Right since the beginning of the Liverpool Institute of Performing Arts, LIPA, there's always been some really good Norwegian students."

Presenter: "You're on tour now for, like, 18 months in a row with a couple of days off - how do you prepare for a show like tonight when you have done the same show for so many months in a row?"

Paul: "Well, the good thing about it is that because of my personal situation, I have my youngest kid, my daughter, for half the time. So when I'm with her, I don't do concerts; when I'm not with her, like today, I do concerts. It means that you don't ever get fed up of doing it, because you have a week when you do them, and then you have a week when you don't. And at first I thought that was going to be, not a good idea, but it's turned out to be a good idea really because when you are going to do a concert it means you feel hungry to get back on the stage and it keeps you very interested. So me and the band are pleased to be here in Norway and really interested in plugging our guitars in, getting the sound up and singing some songs. So I think that keeps it very fresh actually."

Presenter: "So you like to go back home and spend some time with your family, then go back out on tour and re-charge your batteries?"

Paul: "Yeah, that's what happens, yeah! And once you've been at home for a while you start to think, 'Oh boy, it would be great to get out and do a gig', so when you come to do the gig you're kind of hungry. So it works out nicely, and means we are, you know? If you're on the road for years and years, you don't even know where you are - you're just like, 'Where are we tonight, I don't know, what's this place called?' But you know, the way we're doing it now, you're very aware where you are, you're very aware how lucky you are to be playing, so we're really enjoying it and I think that's reflected in the reviews and the audiences."

Asked about his collaboration with Kanye West, Paul says:

"Originally I just got a call from my manager and he said Kanye West is interested in collaborating with you'. So I was kind of interested but I thought, I don't know, maybe I should do this, maybe I shouldn't, I don't know, see if I've got time, whatever. So I found out I did have time, and I thought what we'll do is, we'll try working together - if it doesn't work out, we just won't tell anyone, and you won't have lost anything, neither of us will have lost anything.

"So, we got together in Los Angeles, in a hotel room and we just spent a few afternoons kicking ideas around - I gave him some musical ideas, he gave some lyric ideas and we recorded a lot of stuff. He records it all on his iPhone and his engineer had some proper recording stuff, so we just recorded lots of ideas and then I came back to England and thought well, I wonder if anything is going to happen. I didn't really wanna ring him up and say, 'Hey Kanye, did anything happen?!' I thought that's a bit stupid, so I just left it, I'll just say, 'Hey, Happy Christmas! All the best!' Whatever, I'll send a little message. And in the end, he sent me, just before the New Year three tracks - he sent me 'Only One', which was something I'd played piano on, then he sent me 'FourFiveSeconds' with Rihanna, which was a real surprise because I didn't even know he was working with Rihanna, and I love her voice! So yeah, it turned out it was a guitar thing that I had been playing and he liked the groove on it, so he finished it up with Rihanna - so then, you know, will you make the video? Will you go on the Grammys? I was glad I did it in the end, you know, I thoughtit was perfect."

Presenter: "After that meeting, Kanye was telling the press he was star-struck after he met you - do you ever get starstruck by meeting anyone?"

PM: "Yeah, I think so, it's people you admire, there's always a little bit of that meeting them because you never know quite how they are going to turn out and if you know they're talented you've just got to take it easy, kind of thing. When I met Kanye, I mean, I'd listened to a lot of his records and knew a lot of the work he'd done, like My Dark Twisted Fantasy and Black Skinhead. For the first five minutes it's a little bit like that and then you remember you're just human beings and you're just there to do some work together. So that goes, really. But yeah, there are one or two people I get a little bit starstruck with."

With media commitments completed, it is time for the soundcheck. This afternoon, his audience of "soundcheckers" are treated to the likes of 'Honey Don't', 'Drive My Car', 'Junior's Farm' and 'All My Loving'. There is also a ukulele special of 'Leaning On A Lamp-post', a song most associated with George Formby, which The Beatles recorded during their Get Back sessions in 1969 although it was never released. The band also played a version of 'Blue Suede Shoes' with Paul's guitar tremeolo effect making it sound like The Smiths' song 'How Soon Is Now?'.

Soundcheck over, it is time for Paul to have another language class, this time to brush up his Norwegian, and he sends a special birthday message on Twitter to both Ringo Starr and his own late father, which is received very well by the people of the internet and social media channels.

During the show too Paul wishes Ringo and his dad a happy birthday and plays Birthday for them.

Over to the reviews:

Hats off to Sir Paul (Dagbladet)

"The audience gets a concert that has absolutely everything: songs that are the soundtrack to the lives of several generations spanning an unusually long career, a tight and hard-working band, an artist giving so much of himself to make everyone feel at ease - he even speaks a little Norwegian! There's an exciting and affectionate atmosphere all night, almost reverential at times.

"McCartney proves he is a true champion by giving us three hours of music history."

The reports were correct - Paul McCartney is on top form (Dagsavisen)

"Paul McCartney actually lived up to the expectation and to his status as a legend. The Beatle gave a compelling near three-hour performance of classic hits from his entire career including the occasional forgotten gem such as 'Temporary Secretary'.

"In one night the audience of all ages relive many magical memories. Rarely do we see an entire audience sing along with everything. 'Hey Jude' simply should be declared as the world's biggest song."

Stockholm, Sweden (July 9, 2015)

The final European 'Out There' show on Paul's current run is now upon us (it's also the 85th 'Out There' show to date and the 21st of 2015, for all the stat lovers). It's almost four years since Paul last rocked out in Stockholm. He last called in during his 'On The Run' tour when he played 37 songs; tonight he pushing it even further with 40 songs in the setlist. We are at the relatively new Tele2 Arena, which should really be called the Tele2 Stadium. It's BIG. It's a football stadium with a retractable roof and for tonight the roof is shut giving the stadium a more intimate feeling, despite the vast size.

Prior to his arrival for this show, Paul spoke about his memories of the country, recalling: "It was very special when we first arrived in Sweden with The Beatles. We hadn't travelled abroad that much so it was very exciting. When I think of Sweden one particular image always comes to mind; it is seared in my memory. We all have pink shirts on and roses in our hands. It's a cool image. I love Stockholm, and Sweden is a beautiful country".

Shortly before 5pm Paul lands at Bromma airport before making his way to meet us at the arena for soundcheck.

The Swedish press has already provided fairly extensive coverage of Paul's performance at Roskilde and Sweden's biggest paper Aftonbladet notes after this concert:

"Hats off, again. When Paul McCartney's show is moving from the drunken festival crowd at Roskilde to a more sober indoor crowd in Stockholm, it was just as brilliant."

Sweden sees an unusual first for McCartney during the show. As Paul stops to read the many signs in the audience before performing 'And I Love Her', one stands out and particularly captures his attention. There is a massive poster of two sheep with "Paul - can you name my sheep" written on it! Well Paul ­ a man who, let's not forget, named one of his albums RAM - was happy to oblige and after ruminating, he declared from the stage that their names would be George and Ringo! And with that we round off the run of European dates ­ good-baa. Erm, I mean goodbye.

August 2015

August 30, 2015 -- Macca Report News EXCLUSIVE!!!

Paul McCartney backstage at Rick Springfield's concert last night

Rick Springfield was playing the Delta Classic at Atlanta's Chastain Park last night (August 29th) and Macca was in attendance.

Paul did not join Springfield on stage, but watched from backstage and posed for a photo with Springfield's new bass player Siggy.

This is what Rick Springfield said about the photo:

"Our new bass player Siggy debuts tonite with us here at Chastain Park in Atlanta. No, not the guy on the right, it's the guy on the left."

August 29, 2015 --

Bill Clinton, McCartney and Springsteen Attend Bill Murray's 'Rock the Kasbah' Screening

Open Road Films' new comedy "Rock the Kasbah," starring Bill Murray, Kate Hudson and Bruce Willis, debuted at the United Artist Theater in East Hampton, N.Y., on Friday night for a special sneak preview. The screening - presented by the Peggy Siegel Company and hosted by famed singer Jimmy Buffett and his wife Jane - was a crowd pleaser. Guests raved about Murray's funny yet heartfelt performance as a washed-up rock manager.

But it was the post-screening after party at the Blue Parrot Bar & Grill that drew the most buzz. A star-studded guest list that included Paul McCartney, Bruce Springsteen, Jon Bon Jovi, John Mellencamp, former New York City mayor Rudy Giuliani and president Bill Clinton joined the film's cast to celebrate the pic and enjoy a casual nightcap. All eyes were on Clinton. The 42nd president of the United States received the most attention and selfie requests from the partygoers. Even the musicians and actors seemed to be starstruck.

"It's very exciting that the president is here," Murray told Variety at the party. "It's an honor to meet him and get to talk to him."

Murray greeted Clinton with a firm handshake and shared a lighthearted conversation. The two posed for photos and then Willis and his wife Emma introduced themselves to the president.

Clinton made his way to the Blue Parrot's outdoor dinning area where McCartney, Springsteen and Buffett stood in a circle socializing among a crowd of partygoers. Clinton joined in on the conversation with the prolific musicians and briefly chatted. Meanwhile, Mellencamp was in a corner socializing with some friends and Bon Jovi worked the room, conversing with all the guests.

Throughout the star-stuffed evening, Variety caught up with the cast of "Rock the Kasbah." Oscar-winning director Barry Levinson helms the film written by Murray's longtime pal Mitch Glazer. The movie is inspired by true events from an Afghan reality television show competition similar to "American Idol" and based on one woman who had the courage to sing in public despite facing death threats and being ostracized by her family and friends. With a $15 million budget, the film was made in 28 days and shot in Morocco with temperatures over 110 degrees.

"I wrote this story specially for Bill and I've pretty much written for him my whole life," said Glazer, who first wrote "Scrooged" for Murray in 1987. "We are dear friends and I wanted to write something that would show Bill's humor and heart and all the things that he can do. That was the goal. Whether I did that or not is up to other people."

Murray - who declined to talk about his gig in the new "Ghostbusters" reboot by saying, "I'm not supposed to tell anyone about it" - was drawn to "Rock the Kasbah's" storyline.

"I liked that it's not a political or a military story. It's much more of a human story," said Murray. "I was interested in the story from the beginning. We spent years getting it made and I liked the way it turned out. All the actors are so good. I think this is as good as anyone in this film has ever been. Kate Hudson, Bruce and Zooey [Deschanel] are amazing in this movie. Everyone did their very best and it just jumped up the level. Every day we out-shot the script. That's cool."

Willis, who plays an on-edge mercenary, took on the supporting role in order to act with Murray.

"I only worked five days on the film and one of the main reasons I chose the part is to work with Bill Murray," said Willis, dressed down in jeans and Nike sneakers. "I got to bounce off of Billy Murray, which made shooting in the desert a ball. I never really liked deserts, but he made it fun. He makes me laugh and he's a comic genius. He's a funny guy on-and-off the screen. I'd love to work with him again."

"Rock the Kasbah" opens Oct. 23 nationwide.

August 29, 2015 --

You Gave Me The Answer Asks...

This past month, has been fully immersed in the forthcoming reissues of Tug of War and Pipes of Peace, two of Paul's classic '80s solo albums and the latest works to receive the Paul McCartney Archive Collection treatment.
We have been busy digging through the archives and getting the general scoop on some of the artists who collaborated with Paul on the original releases - Stevie Wonder and Michael Jackson being two we were particularly interested in! Our curiosity got the better of us, so we hope you will accept our apologies for hi-jacking this month's 'You Gave Me The Answer' with our own question!
We recently spoke with Paul about the Tug of War album and asked him, "What was it like working with Stevie Wonder?"
"Stevie was great, it was different from working with Michael Jackson. With 'Ebony and Ivory', I'd sort of written it with Stevie in mind and I'd written it on my own in Scotland. Then I thought if I do this with anyone, Stevie would be the perfect person. I'm a big fan of his. So I got in touch and said, 'I'm going to be recording out in Montserrat, are you interested? Would you like to do it?' So he said yes, and came out to Montserrat.
"I must say it was kind of difficult because he was coming, then he wasn't coming ­ I think that's all in the album notes [the Deluxe Edition of Tug of War features an in-depth essay on the recording of the album]. So there was a bit of doubt about whether he was coming and stuff and he did, eventually. It was great fun, we really struck up a great friendship and he suddenly, surprisingly, said he would like to drum! So I said OK, not knowing how good a drummer he was. He's a great drummer! Once I heard him that was it! So he drummed and it was just a really great experience, putting it together with him, taking a verse each and getting inspired by his interpretation and feeding off each other.
"It was great and we ended up having a great time. I got to know him well because we were in a casual situation rather than being backstage at the GRAMMYs or somewhere where there's not much time. Like we were working all day and we did the other track, 'What's That You're Doing?', which was more co-written. It was written during the time we had in Montserrat. He was a very funny guy. I heard stories from his childhood and we had a lot of fun together."
Find out more about the Tug of War and Pipes of Peace 2015 reissues by clicking HERE

If you'd like to have your question answered by Paul, click HERE

August 25, 2015 --


October 13: Columbus, Ohio - Nationwide Arena TICKETS
October 15: State College, Pennsylvania - Bryce Jordan Center TICKETS
October 17: Toronto, Canada - Air Canada Centre TICKETS
October 21: Detroit, Michigan - Joe Louis Arena TICKETS
October 22: Buffalo, New York - First Niagara Center TICKETS


Tickets for the U.S. dates will be on sale Monday, August 31 at 10am EDT
Tickets for Toronto will be on sale Friday, August 28 at 11am EDT


For the U.S. dates, American Express® Card Members can purchase tickets before the general public beginning Thursday August 27 at 10am EDT through Sunday August 30 at 10pm EDT

For Toronto, American Express® Card Members can purchase tickets before the general public beginning Tuesday August 25 at 10am EDT  through Thursday August 27 at 10pm EDT

Fresh off an undeniably historic headline performance at this year's Lollapalooza hailed without exception as the biggest and best in the festival's 25 year history, Paul McCartney has confirmed five new North American arena dates on the universally acclaimed 'Out There' tour.

First, Paul will return to Columbus, OH nearly 10 years to the day since his last appearance in the Ohio capital city to headline the Nationwide Arena on October 13. On October 15, Paul will play his first ever show in State College, PA at the Bryce Jordan Center. October 17 will see Paul back at Toronto's Air Canada Centre for the first time since 2010 on the 'Up And Coming' Tour, followed by an October 21 in Detroit, MI - Paul's first appearance at the Joe Louis Arena and his first visit to the Motor City since 2011 on the 'On The Run' Tour. Finally, Paul will make his concert debut in Buffalo, NY on October 22 at the First Niagara Center.

Fans registered with by 8am (EDT / 1PM BST) on Thursday 27th August will be eligible to purchase pre-sale tickets for Paul's concerts in Columbus, State College, Detroit and Buffalo through the website. By registering fans will also gain accesss to exclusive content including free audio downloads, GIFs, puzzles and be eligible to purchase advance tickets for all future concert dates. 

Register with by clicking HERE!

Fans registered with as of 8am EDT on Monday 24th August are eligible for pre-sale tickets for Paul's concert in Toronto. To check availability for these tickets, click HERE!

August 25, 2015 -- Macca Report News

More October 'OUT THERE' dates added !!!

October 17th - Air Canada Centre - Toronto, Canada

Columbus, OH - October 13th - Nationwide Arena
State College, PA - October 15th - Bryce Jordan Center
Detroit, MI - October 21st - Joe Louis Arena
Buffalo, NY - October 22 - First Niagara Center

August 25, 2015 --

Paul on the cover of Uncut Magazine

Paul is featured on the cover of the new issue of Uncut magazine discussing the forthcoming reissues of Tug of War and Pipes of Peace. In the interview with the magazine, Paul candidly discusses writing and recording both albums.

The October issue of Uncut is on the shelves from today.

August 24, 2015 -- (updated 1pm)

Paul gets back 'Out There' in Columbus



October 13: Columbus, Ohio - Nationwide Arena
October 17: Toronto, Canada - Air Canada Centre

Fresh off an undeniably historic headline performance at this year's Lollapalooza hailed without exception as the biggest and best in the festival's 25 year history, Paul McCartney has confirmed another new North American arena date on the universally acclaimed 'Out There' tour.

Paul will return to Columbus, OH nearly 10 years to the day since his last appearance in the Ohio capital city to headline the Nationwide Arena on October 13. October 17 will see Paul back at Toronto's Air Canada Centre for the first time since 2010 on the 'Up And Coming' Tour.

Fans registered with by 8am (EDT / 1PM BST) on Thursday 27th August will be eligible to purchase pre-sale tickets for Paul's Columbus concert through the website. By registering fans will also gain accesss to exclusive content including free audio downloads, GIFs, puzzles and be eligible to purchase advance tickets for all future concert dates.

Register with by clicking HERE!

Tickets for the newly announced Columbus date will be on sale Monday, August 31 at 10am EDT

In Columbus, American Express® Card Members can purchase tickets before the general public beginning Thursday August 27 at 10am EDT through Sunday August 30 at 10pm EDT

In Toronto, American Express® Card Members can purchase tickets before the general public beginning Tuesday August 25 at 10am EDT through Thursday August 27 at 10pm EDT

August 24, 2015 -- Macca Report News EXCLUSIVE!!

Paul McCartney 'Out There' North America shows/dates

Columbus, OH - October 13th - Nationwide Arena (to be confirmed) NOW CONFIRMED!
University Park, PA - October 15th - Bryce Jordan Center (confirmed)
Detroit, MI - October 21st - Joe Louis Arena (to be confirmed) NOW CONFIRMED!
Toronto, Canada - October 17 - ACC (confirmed)
Buffalo, NY - October 22 - First Niagara Center (unconfirmed) NOW CONFIRMED!

August 21, 2015 --

Paul Gets Back 'Out There' In Toronto

October 17 at the Air Canada Centre in Toronto

Fresh off an undeniably historic headline performance at this year's Lollapalooza hailed without exception as the biggest and best in the festival's 25 year history, Paul McCartney has confirmed the first new North American arena date on the universally acclaimed 'Out There' tour.

On October 17, Paul will return to Toronto's Air Canada Centre for the first time since 2010 on the 'Up And Coming' tour.

Fans registered with by 8am (EDT / 1PM BST) on Monday 24th August will be eligible to purchase pre-sale tickets for Paul's Toronto concert through the website. By registering fans will also gain accesss to exclusive content including free audio downloads, GIFs, puzzles and be eligible to purchase advance tickets for all future concert dates.

Register with by clicking HERE!

WEBMASTER'S NOTE: Tickets for Toronto show at the Air Canada Centre on October 17th will be on general sale Friday, August 28th @ 11am ET. Tickets are available at or 1-855-985-5000.

American Express® Card Members can purchase tickets before the general public beginning Tuesday, August 25 at 10am ET through Thursday, August 27 at 10pm.

VIP Package Presale

Start: Mon, 08/24/15 10:00 AM EDT
End: Thu, 08/27/15 10:00 PM EDT

August 3, 2015 -- Macca Report News

Paul and Ringo's statement about Cilla Black's passing

"Such a shock to hear about Cilla's passing. She was a lovely girl who infected everyone with her great spirit. From first meeting her as a cloakroom girl at the Cavern in Liverpool, to seeing her many times since, she always had a fun loving dignity that made her a great pleasure to be around. She had a fine distinctive voice and was always a bit of a laugh. It was a privilege to know and love her."
-- Paul McCartney

"I just heard the news Cilla black has left us. She was a good friend. We will all miss her. Peace to Cilla. Peace and love to the family." R&B xxx
-- Ringo Starr

August 3, 2015 --

'Tug of War' and 'Pipes of Peace' will both be reissued on 2nd October.

Pre-order your copy today:

UK / Rest of the World:

UK / Rest of the World:

Photo by Linda McCartney

Paul To Reissue 'Tug of War' and 'Pipes of Peace'

MPL and the Concord Music Group are proud to announce two more landmark installments in the multiple GRAMMY-winning Paul McCartney Archive Collection. On 2nd October, 2015, Paul's early '80s back-to-back classics Tug of War and Pipes of Peace will receive lavish multiple configuration reissue treatment including exclusive 2015 remixes of both the entire Tug of War album and the Pipes of Peace classic collaboration with Michael Jackson 'Say Say Say,' a treasure trove of previously unreleased tracks and never before seen video, and much more.

Check out the Deluxe Editions below:

Released in 1982, Tug of War  was Paul's first album following the break-up of Wings and his third solo LP overall. Hailed upon its release as "exquisitely crafted" by The New York Times and a "masterpiece" by Rolling Stone, Tug of War  went to #1 in no less than nine countries. Tug of War yielded such classic tracks as Paul's #1 duet with Stevie Wonder 'Ebony and Ivory,' the top 10 single 'Take It Away,' and of course 'Here Today,' the conversation Paul never had with the late John Lennon that remains a staple of Paul's live set to this day. Pipes of Peace, Paul's fourth solo album, followed in 1983 and continued Paul's early '80s run of platinum records.  Singles from Pipes of Peace included the title track and of course Paul and Michael Jackson's timeless 'Say Say Say,' a multi-format global chart-topping smash continually cited as a landmark of that or any year--as recently as 2007, Vibe magazine rated 'Say Say Say' as one of the greatest duets of all time.

 As with the GRAMMY-winning Band on the Run and Wings Over America Archive editions, Paul personally supervised all aspects of these releases and their various formats, which include:
Tug of War  will be issued as a 2-CD Special Edition comprised of the 2015 remix of the entire album, plus a second disc of bonus audio featuring eight previously unreleased demos of both album tracks and outtakes 'Stop, You Don't Know Where She Came From' and 'Something That Didn't Happen,' as well as demo and solo versions of 'Ebony and Ivory' and more. The Tug Of War 3-CD/1-DVD Deluxe Edition adds the original 1982 album mix and a DVD featuring original music videos for the album's singles and the brand new 18-minute documentary 'Fly TIA-Behind The Scenes on Take It Away' featuring previously unseen archival footage. In keeping with the award-winning Paul McCartney Archive Collection standards, the Tug of War  Deluxe Edition will include a 112-page essay book and 64-page scrapbook, while the strictly limited run of 1000 Super Deluxe sets will arrive in a limited edition acrylic slipcase with five hand numbered prints of images from the Linda McCartney archive. 

Pipes of Peace 2-CD Special Edition is made up of the original album plus a 9-track bonus disc with such exclusive gems as a 2015 remix of 'Say Say Say' by Spike Stent, unearthed demos of three album tracks and outtakes 'It's Not On' and 'Simple As That,' the previously unreleased 'Christian Bop' and more. The 2-CD/1-DVD Pipes of Peace Deluxe Edition features a bonus video disc comprised of the original promo clips for all three of the album's singles, plus previously unreleased clips from Paul's film archives. The Deluxe configuration will also include a 112-page essay book and 64-page book that takes the reader behind the scenes on the 'Pipes of Peace' title track video shoot.
Both albums and their companion bonus audio discs will also be released as 2-LP 180-gram audiophile vinyl editions complete with gatefold sleeves and download cards. The newly remixed and mastered Tug of War and remastered Pipes of Peace will also receive standard and Hi Res digital releases, as well deluxe digital and Hi Res releases featuring all bonus audio.

Tug of War and Pipes of Peace are the newest installments in the acclaimed and ongoing Paul McCartney Archive Collection. The inaugural release in the series, the Deluxe Edition of Paul McCartney and Wings' 1973 milestone Band on the Run, won the 2010 GRAMMY Award for Best Historical Album, while the Deluxe Edition Box Set of the 1976 classic live collection Wings Over America took the 2013 GRAMMY for Best Boxed or Special Limited Edition Package. Previous releases in this ambitious reissue program encompassing 41 years of timeless material from the most successful songwriter and recording artist of all time include solo works McCartney and McCartney II, Paul and Linda McCartney's RAM, and Wings' Venus and Mars and At The Speed Of Sound.

August 3, 2015 --

'You Gave Me The Answer' ­ Grace Ann from the US asks

The warm summer weather has officially arrived here in the UK, which seems to have resulted in our diaries being full (and our wallets empty!). 
It's important to take a moment to relax and chill out between the stream of weddings, BBQs and outdoor parties the summer months invariably bring. Many of us like to take our holidays around this time too, but if drinking from coconuts on a far away beach isn't for you, there is another (and cheaper!) way to unwind.
We found Paul to be somewhat of an expert on this topic when we caught up with him during his 'Out There' tour to ask him this month's 'You Gave Me Answer'. The question was sent in by Grace Ann from the US, who asks: "Do you still meditate and do you think it's had a positive effect on your life?"
Paul replied, "Yes, I think it's great! I think it's always very good to get a sort of still moment in your day. Whenever I have a chance in a busy schedule, I'll do it, if I'm not rushing out the door with some crazy stuff to do. But yeah, I always like to take a moment and just meditate. It's a good thing. I do the 'TM'  [Transcendental Meditation] and I was lucky because I was taught personally by Maharishi." "When you were out in India with The Beatles?"
Paul: "When we were in India, yes." "Do you still use the same mantra?"
"Yeah! You only get one. It's good! It's very calming."

August 3, 2015 -- Paul McCartney Twitter

Throwback Thursday Photo

Paul at AIR London during the recording of 'Pipes of Peace.

August 3, 2015 -- Macca Report News

Keith Richards talks about Paul McCartney in his autobiography

I was packing to go back on the road, to play first the Super Bowl in February and then one of the biggest rock-and-roll concerts ever staged, in Rio, to more than a million people, two weeks later. A busy start to the year. Exactly a year earlier, while I was walking along the beach, climbing rocks, along the shore came Paul McCartney, just before he played the Super Bowl that year. It was certainly the strangest place for us to meet after all the years, but certainly the best, because we both had time to talk, maybe for the first time since those earliest days when they were flogging songs before we were writing them. He just turned up, said he'd found out where I lived from my neighbor Bruce Willis. He said, "Oh, I just came down, I hope it's OK. Sorry I didn't ring." And since I don't answer the phone anyway, it was the only way he could do it. I sensed with Paul that he really was looking for some time off. That beach is long, and of course these things come in hindsight: there was something wrong there already. His breakup with Heather Mills, who was with him on that trip, was not long coming.

Paul started to turn up every day, when his kid was sleeping. I'd never known Paul that well. John and I knew each other quite well, and George and Ringo, but Paul and I had never spent much time together. We were really pleased to see each other. We fell straight in, talking about the past, talking about songwriting. We talked about such strangely simple things as the difference between the Beatles and the Stones and that the Beatles were a vocal band because they could all sing the lead vocal, and we were more of a musicians' band - we only had one front man. He told me that because he was left-handed, he and John could play the guitars like mirrors opposite each other, watching each other's hands. So we started playing like that. We even started composing a song together, a McCartney/Richards number whose lyrics were pinned on the wall for many weeks. I dared him to play "Please Please Me" at the Super Bowl, but he said they needed weeks of warning. I remembered his hilarious takeoff of Roy Orbison singing it, so we started singing that. We got into discussions about inflatable dog kennels designed like the dogs inside them - spotted ones for Dalmatians and so on. Then we went off on one about a special project we were going to develop, sun-dried celebrity turds, purified with rainwater - get celebrities to donate them, coat them with shellac and get a major artist to decorate them. Elton would do it; he's a great guy. George Michael, he'll go for it. What about Madonna? So we just had a good laugh. We had a good time together.

(c) Keith Richards, Life, pages 537-538 ($29.99)

August 1, 2015 -- Macca Report News EXCLUSIVE!!!

Paul at Lollapalooza !!! A night of magic and surprises

July 31, 2015 - Lollapalooza - Grant Park - Chicago, IL

SOUND CHECK - July 30, 2015 (day before Lolla)
1. Honey Hush
2. Honey Don't
3. Matchbox
4. Blue Suede Shoes (
lots of guitar riffs and an extended jam)
5. Sing The Changes
6. Another Girl
7. Letting Go
8. Save Us
9. Miss Ann
10. My Valentine
11. Nineteen Hundred And Eighty-Five (
Paul screams at end in full voice!)
12. Every Night
13 .On My Way To Work
14. Alligator
15. San Francisco Bay Blues
16. We Can Work It Out
17. Live And Let Die (no fireworks, testing lasers)
18. Blue Moon (
Frank Sinatra version) Paul teaching band the chords


Paul arrived at Chicago's Grant Park at 7:40pm in a black SUV directly from the airport. The band arrived in Chicago on Tuesday and was shuttled to Grant Park in a small bus from their hotel 90 minutes ahead of Paul's arrival. His vocals were flawless. At times the sound volume from the stage was lower or raised during the songs. The sound check lasted an hour and 15 minutes.


1. Magical Mystery Tour
2. Save Us
3. Got To Get You Into My Life
4. Let Me Roll It/Foxy Lady Coda
5. Paperback Writer
6. My Valentine
7. Nineteen Hundred And Eighty-Five
8. Maybe I'm Amazed
9. I've Just Seen A Face

10. FourFiveSeconds
11. We Can Work It Out
12. And I Love Her
13. Blackbird
14. Here Today
15. Queenie Eye
16. Lady Madonna
17. Eleanor Rigby
19. Being For The Benefit Of Mr. Kite!
19. Something
20. Ob-La-Di, Ob-La-Da
21. Band On The Run
22. Back In The U.S.S.R
23. Let It Be
24. Live And Let Die
25. Hey Jude

26. Hi Hi Hi
27. Can't Buy Me Love
28. Get Back (with Britney Howard of Alabama Shakes)
29. Helter Skelter
30. Golden Slumbers/Carry That Weight/The End


A crowd estimated to be over 100,000 filled the area in front of the Samsung Galaxy stage inside Chicago's Grant Park to see Paul McCartney. The show began on schedule at 7:45pm with a shortened version of the the pre-concert video rolling on enormous video screens surrounding the stage. At 8pm Paul appeared on stage to the deafening roar of the crowd.

Also at times the volume of the music would be lower than usual and then it would be boosted up again. Same issue happened at the sound check the day before.


The Lolla crowd was comprised of mostly 20 and 30-somethings. Macca was a must see for them and did not disappoint. He had the crowd in the palm of his hand. Though not familiar with his solo songs, the rowdy audience did enjoy them. The Beatles songs had them singing loudly and Wings songs, "Hi Hi Hi", and "Nineteen Hundred And Eighty-Five" got a very enthusiastic reaction. He responded with "Thank you Lollapaloozans!" Many under 30 concertgoers, wore Beatles and Wings T-shirts.

Paul's voice throughout the concert was stellar. The opener, "Magical Mystery Tour" started out with rough vocals, but by the middle of the song his voice had cleared. During the very emotional "Maybe I'm Amazed" and "Hear Today" Paul struggled to keep his composure and his vocals reflected that pain.


By the end of the concert the Lolla crowd was buzzing about how outstanding Paul's performance was. Several 20-somethings remarked that Paul' blew away most of the artists they had seen at other concerts who were younger than him. They marveled at how well his voice held up throughout the show and how young he looked. Many were talking about how incredible the experience was and that they couldn't believe a 73-year-old man could sing like that! Some were talking about wanting to see Ringo's concerts after seeing Paul's.


After reading the signs, Paul started strumming the acoustic guitar. Then he sang the first verse of "FourFiveSeconds," Rhianna's #1 hit that he co-wrote. The audience knew the song and started singing along. After the refrain he seque nicely into "We Can Work It Out."

Paul told some of his usual concert stories, but when he did his introduction to "Here Today," a song about an imaginary conversation with the late John Lennon, a nearby stage was blasting dance music. It was so loud that it clearly annoyed Paul. He none-the-less began to strum the opening chords as the dance music continued to blast. Then he stopped and said, "Oh, by the way, you'll notice here, we got like, the disco going on over here. I intended this. What I'm doing is kinda, it's like a crazy mash-up, this song and whatever shit they're playing." That brought the house down, roaring with laughter and clapping in agreement. Paul did a wave in the direction of the offensive music stage and then started the song again. (WATCH)

Afterwards, he sat down at the Magic Piano to play "Queenie Eye" and said, "OK, now we got some amplification. We can blast them off the planet!" People giggled and clapped.

"Live And Let Die" had an amazing fireworks show exploding behind the stage. It was timed perfectly during the song, which ended with an explosion of dazzling fireworks cascading upwards like a reversed waterfall.


For "Get Back" Paul called on stage a "special guest", Britney Howard from Alabama Shakes, who played right before Paul, on the same stage. During the song, Britney sang a verse and also sang on the chorus. She also played some smoking guitar leads.

When the song paused, Paul said, "Hey Britney do you want to get back?" She answered with, "Let's get back on home, Paul." He asked again, "Do you want to get back? She answered, "We're all trying to get home Paul."

"Me too baby!!!" said Paul.

They continue with him singing "Get Back!" and Britney doing the answer backs. When the song ended he asked the crowd, "How 'bout that Britney?" The audience erupted in applause. He added, "She wants to get back (pauses) to Alabama!"

After "Hey Jude" Paul and the band took their bows, exited the stage and came back a couple of minutes later waving giant flags. When the crowd saw Paul waving the US flag they started chanting "USA! USA! USA!"

The concert continued with "Hi, Hi, Hi" and ended with the Abbey Road Medley.

Paul said his goodbyes to the Lolla crowd and exited the stage at 10pm. Fireworks began shooting upwards behind the stage for about a minute or so.

August 1, 2015 -- Paul McCartney Twitter (photos MJ Kim)

Paul tweets to Lollapalooza crowd

Thank you Chicago! A night and a skyline like no other.

Hey Lollapalooza you were unbelievable!

August 1, 2015 - Chicago Sun-Times

Lollapalooza Day 1: Paul McCartney closes out the night in grand style

Paul McCartney, the legend, can handle anything, including the competing beats of electronic dance music.

McCartney, 73, ran onto stage Friday night with the energy of a far younger man as he closed out day one of Lollapalooza. He toyed with the crowd, who knew every word and sang along.

He brought out the nostalgia, playing "Paperback Writer" with a guitar he used to originally record the song. He made jokes about the blaring electronic dance music coming from the closest stage, where McCartney could see a dramatic light show ahead of the city's sweeping moonlit skyline.

"My song will be a mashup of this song, and whatever s*** they're playing over there," he said to laughs and cheers. The sound bleed became a problem for the crowd, but McCartney took it with a grain of salt, even playing "Something" on a delicate and quiet ukulele as dance beats continued from afar.

McCartney brought out Alabama Shake's Brittany Howard for a performance of "Get Back," - as his set came to a close.

Beatles fans, young and old, danced around the park grounds, grinning ear-to-ear. McCartney's performance seemed to be one of the most universally liked sets the festival has seen in 11 years.

"This is so cool I'd rather take a moment to drink it in myself," McCartney told the crowd, before playing hit after hit, including "Maybe I'm Amazed," I've Just Seen A Face," "Blackbird," "Let It Be," and "Hey Jude.

Howard, Alabama Shake's frontwoman wowed a large daytime crowd, soaking up rays at the stage where McCartney would soon close out the night. Howard screams. She shrieks. Her vocal range stretches word by word and seems intrinsically linked to the emotional lyrics of her songs. She wore a beautiful long-sleeved dress - and was probably burning up.

But she didn't show it. Instead she showed thousands how strong of a guitarist she is, and how unique of a voice she has. Friday's performance was a win for the band, who was forced to cancel their performance in 2012 amid a massive downpour that led to the festival's evacuation.

If you think Wings deserves to be nominated for the Rock and Roll Hall of Fame...

Should WINGS be nominated into the Rock and Roll Hall of Fame? There's a debate amongst Beatles/Paul McCartney fans whether Wings is covered by Paul's induction into the Rock and Roll Hall of Fame as a "solo artist." Does Wings qualify as a band and are they worthy with a string of number one hits during the '70s? Should its band members be recognized for their contributions?


Macca Report news continues with
July 2015

Macca Report current Paul News!!!

Jorie Gracen